art.wikisort.org - PaintingVenice, from the Porch of Madonna della Salute is a 19th century oil painting by J. M. W. Turner. Done in oil on canvas, the painting depicts an imagined image of Venice, as the view shown is not realistic.[1] The painting was inspired by one of Turner's three visits to Venice, and showcases Turner's skill as a maritime artist. The work is in the collection of the Metropolitan Museum of Art.[1]
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Paintings |
- List of paintings
- Interior of a Romanesque Church (c. 1795–1800)
- Landscape with Windmill and Rainbow (c. 1795–1800)
- Diana and Callisto (c. 1796)
- Fishermen at Sea (1796)
- Interior of a Gothic Church (c. 1797)
- Limekiln at Coalbrookdale (c. 1797)
- Moonlight, a Study at Millbank (1797)
- Aeneas and the Sibyl, Lake Avernus (c. 1798)
- Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower (1798)
- Caernarvon Castle (c. 1798)
- Morning amongst the Coniston Fells, Cumberland (1798)
- Shipping by a Breakwater (1798)
- Tivoli and the Roman Campagna (c. 1798)
- View of a Town (c. 1798)
- Dolbadarn Castle (1798–1799)
- Self-Portrait (c. 1799)
- View in Wales: Mountain Scene with Village and Castle – Evening (c. 1799–1800)
- Welsh Mountain Landscape (c. 1799–1800)
- A Beech Wood with Gypsies round a Campfire (c. 1800)
- A Beech Wood with Gypsies Seated in the Distance (c. 1800)
- Landscape with Lake and Fallen Tree (c. 1800)
- View on Clapham Common (c. 1800–1805)
- The Shipwreck (1805)
- The Fifth Plague of Egypt (1810)
- High Street, Oxford (1810)
- Snow Storm: Hannibal and his Army Crossing the Alps (1812)
- Dido building Carthage, or, The Rise of the Carthaginian Empire (1815)
- Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed (1818)
- The Battle of Trafalgar (1822)
- Port Ruysdael (1826)
- Chichester Canal (1828)
- Ulysses Deriding Polyphemus (1829)
- The Fountain of Indolence (1834)
- The Golden Bough (1834)
- The Burning of the Houses of Lords and Commons, 16th October, 1834 (1835)
- Rome, From Mount Aventine (1835)
- Venice, from the Porch of Madonna della Salute (c. 1835)
- The Fighting Temeraire Tugged to Her Last Berth to Be Broken up (1838)
- Modern Rome – Campo Vaccino (1839)
- Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840)
- Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
- The Blue Rigi (1842)
- The Red Rigi (1842)
- Peace – Burial at Sea (1842)
- War. The Exile and the Rock Limpet (1842)
- Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis (1843)
- Rain, Steam and Speed – The Great Western Railway (1844)
- Sunrise with Sea Monsters (1845)
- Norham Castle, Sunrise (c. 1845)
- Whalers (c. 1845)
- The Beacon Light (unknown)
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Prints |
- Liber Studiorum (1807–1819)
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На других языках
- [en] Venice, from the Porch of Madonna della Salute
[fr] Venise, vue du porche de l'église de la Salute
Venise, vue du porche de l'église de la Salute est une peinture à l'huile réalisée vers 1835 par le peintre anglais Joseph Mallord William Turner. Le tableau représente une Venise imaginaire, car la vue montrée n'est pas réaliste[1]. L'œuvre fait partie de la collection du Metropolitan Museum of Art de New York[1].
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