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Norma Broude (born 1 May 1941) is an American art historian and scholar of feminism and 19th-century French and Italian painting. She is also a Professor Emerita of art history from American University. Broude, with Mary Garrard, is an early leader of the American feminist movement and both have redefined feminist art theory.


Life and work


She was born Norma Freedman on 1 May 1941 in New York.[1] She holds a Master of Arts and Doctor of Philosophy in Art History from Columbia University and a Bachelor of Arts in Art History and English from Hunter College.[2]

Broude taught for a short time at Oberlin College, then Vassar College and Columbia University. In 1975 she was called to the American University and stayed there until retirement.[citation needed]

Broude is known for her publications on the reassessments of Impressionists: Edgar Degas, Gustave Caillebotte, Mary Cassatt and Georges Seurat. Since 1982 Broude has collaborated with Mary Garrard and has published numerous classics of feminist art history, most notably The Expanding Discourse: Feminism and Art History.[3]


Awards



Publications



References


  1. "Norma Broude". Dictionary of Art Historians. Retrieved 2017-05-02.
  2. "Profile Norma Broude". American University. Retrieved 2017-05-02.
  3. "Brief Bios: Norma Broude and Mary D. Garrard". Feminist Art History Conference 2010. American University. Retrieved 2 May 2017.
  4. "Awards for Distinction". College Art Association (CAA). Retrieved 2017-05-02.
  5. Haynes, Clarity (2015-03-14). "How We Got Here: Portrait of the Artist as a Queer Feminist". Hyperallergic Magazine. Retrieved 2017-05-02.

На других языках


[de] Norma Broude

Norma Broude (* 1. Mai 1941 in New York als Norma Freedman) ist eine US-amerikanische Pionierin des Feminismus und Professor Emerita der Kunstgeschichte.[1]
- [en] Norma Broude



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