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Hermes and the Infant Dionysus, also known as the Hermes of Praxiteles or the Hermes of Olympia is an ancient Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera, Olympia, in Greece. It is displayed at the Archaeological Museum of Olympia.

Hermes and the Infant Dionysos, Archaeological Museum of Olympia
Hermes and the Infant Dionysos, Archaeological Museum of Olympia

It is traditionally attributed to Praxiteles and dated to the 4th century BC, based on a remark by the 2nd century Greek traveller Pausanias, and has made a major contribution to the definition of Praxitelean style. Its attribution is, however, the object of fierce controversy among art historians.

The sculpture is unlikely to have been one of Praxiteles' famous works, as no ancient replicas of it have been identified. The documentary evidence associating the work with Praxiteles is based on a passing mention by the 2nd century AD traveller Pausanias.


Loss


The Olympia site was hit by an earthquake during the reign of the Roman emperor Diocletian in the final years of the third century C.E, collapsing the roof of the Temple of Hera and burying the statue in rubble.


Rediscovery


In 1874, the Greek state signed an agreement with Germany for an archaeological exploration of the Olympia site,[1] which was first dug in the French Morea expedition of 1829. The German excavations in 1875 were led by Ernst Curtius. On 8 May 1877, in the temple of Hera, he uncovered the body (head, torso, legs, left arm) of a statue of a young man resting against a tree trunk covered by a mantle. Protected by the thick clay layer above it, it was in an exceptionally good state of preservation.

Head of the Hermes figure, remarkable for its highly polished finish
Head of the Hermes figure, remarkable for its highly polished finish

It took six more separate discoveries to uncover the rest of the statue as it is displayed today. Hermes is still missing his right forearm, two fingers of his left hand, both forearms below the elbow, the left foot and his penis, whilst Dionysus is missing his arms (except the right hand on Hermes's shoulder) and the end of his right foot. Much of the tree trunk and the plinth are also lost. However, an ancient base survives, made of a grey limestone block between two blocks of marble.


Technical considerations


The group is sculpted from a block of the best quality of Parian marble. Hermes measures 2.10/2.12 m, 3.70 m with the base. The right foot of Hermes is integral with a section of the base, which has undergone some adjustment in antiquity.

The face and torso of Hermes are striking for their highly polished, glowing surface, which John Boardman half-jokingly attributed to generations of female temple workers.[2] The back, by contrast, shows the marks of the rasp and chisel, and the rest of the sculpture is incompletely finished.

At the time of its discovery, the hair retained slight traces of cinnabar,[3] a form of mercury sulfate with a red color, perhaps a preparation for gilding.[4] Cinnabar tints are retained on the sandal straps of the original foot, with traces of gilding. The sandal also bears the motif of a Heraclean knot, which was probably extended in paint.

The Resting Satyr, Roman copy of another work attributed to Praxiteles, Capitoline Museums
The Resting Satyr, Roman copy of another work attributed to Praxiteles, Capitoline Museums
Papposilenus bearing the infant Dionysos, variant on the Olympia Hermes, c. 350-300 BC, Musée du Louvre
Papposilenus bearing the infant Dionysos, variant on the Olympia Hermes, c. 350-300 BC, Musée du Louvre



Notes


  1. (in French) Helmut Kyrieleis, "Les fouilles allemandes à Olympie", in Olympie, from a conference at the Louvre from 18 January to 15 March 1999, Documentation française, Paris, 2001, p. 50.
  2. Boardman, La Sculpture grecque du second classicisme, Thames & Hudson, Paris, 1998, p. 53.
  3. Noted by Alfred Emerson, "Letter from Olympia", The American Journal of Archaeology and of the History of Fine Arts 3.1-2, (June 1887), p. 96..
  4. Carpenter, p. 7.

Bibliography





На других языках


[de] Hermes von Olympia

Der Hermes von Olympia ist eine Marmorgruppe des griechischen Gottes Hermes mit dem Dionysos-Knaben auf dem Arm. Sie wird um 340 v. Chr. datiert und steht in der griechischen Kunst am Übergang von der späten Klassik zum frühen Hellenismus. Die Skulptur wird dem Bildhauer Praxiteles zugeschrieben. Sie befindet sich im Museum zu Olympia. Die Unterschenkel der Statue sind heute ergänzt. Gefunden wurde die Statue am 8. Mai 1877 bei Ausgrabungen in der Cella des Heratempels in Olympia unter der Leitung von Gustav Hirschfeld. Dieser Fund war in der Archäologie eine Sensation. Da Pausanias (5, 17, 3) im 2. Jahrhundert n. Chr. diese Statue im Heraion zu Olympia erwähnt, ist davon auszugehen, dass die Statuengruppe an ihrem ursprünglichen Aufstellungsort aufgefunden wurde.
- [en] Hermes and the Infant Dionysus

[es] Hermes con el niño Dioniso

Hermes con el niño Dioniso es una escultura griega de mármol con una altura de 213 centímetros que se encuentra en el Museo Arqueológico de Olimpia. Su autoría se atribuye al escultor Praxíteles del período clásico final o bien, según otros autores, se trataría de una copia del siglo I de un original del mismo artista del 350-330 a. C. Se encontró en el año 1877 entre las ruinas del templo dedicado a Hera donde servía como ornamentación. Se trata de una obra escultórica exenta, inspirada en la mitología griega.

[it] Hermes con Dioniso

L'Hermes con Dioniso è una scultura in marmo pario (h. 215 cm) di Prassitele, databile al 350-330 a.C. circa e conservata nel Museo archeologico di Olimpia. La critica è divisa su chi la considera opera originale e chi la ritiene invece una copia ellenistica dell'originale perduto.

[ru] Гермес с младенцем Дионисом

«Гермес с младенцем Дионисом» или «Гермес Олимпийский» — классическая статуя из паросского мрамора, обнаруженная Эрнстом Курциусом в 1877 году при раскопках храма Геры в Олимпии.



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