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Donatello's Saint Mark (1411–1413) is a marble statue that stands approximately seven feet and nine inches high and is displayed in the museum of the Orsanmichele church, Florence. It originally was displayed in an exterior niche of the church, where a copy now stands.

St. Mark
ArtistDonatello
Year1411–1413
TypeMarble
Dimensions236 cm (93 in)
LocationOrsanmichele, Florence

Donatello was commissioned by the linen weavers' guild to complete three pieces for the project. St. Mark was the first of his contributions. The niche itself was not of Donatello's hand, but created most probably by two stone carvers named Perfetto di Giovanni and Albizzo di Pietro.


Sculpture


Donatello's sculpture is notable for its detailed realism, evidence of the artist's skills. Even the veins of St. Mark's left hand are visible as he holds a text upon his hip. Contrapposto or natural pose, is used with Donatello's St. Mark. The saint has more weight on his right leg, his left knee is bent, and his torso is slightly twisted. The style is much more naturalistic than the symmetry and unrealistic nature of art from the Dark Ages. Also Donatello's sculpture differs from medieval works in the way that drapery is used, specifically in that St. Mark's figure is revealed by a realistic draping of linen.

According to Renaissance scholar Gene A. Brucker, Donatello's statue of St. Mark "is generally recognized as the first Renaissance monument." (Renaissance Florence, 244)


Proportions


According to Vasari's text The Lives of the Artists, written 140 years after the completion of St. Mark, the linen workers' guild originally rejected the sculpture because it appeared unnatural when set at street level. This was due to proportion adjustments made for its final resting place in the niche, well above street level. The head and torso were made larger as they would be further away from the viewer.

The copy viewed at street level
The copy viewed at street level

Donatello promised to make adjustments, so he covered the statue with a cloth, set the statue in the niche above the street, and without touching the statue for 15 days, once again revealed it to the guild. With its location above the viewer, the proportions looked perfect and the linen weaver's guild accepted the statue.


Sources



References


In the early pages of Irving Stone's The Agony and the Ecstasy Michelangelo walks by Donatello's statue of St. Mark and exclaims "Sculpture is the greatest art!"




На других языках


- [en] Saint Mark (Donatello)

[es] San Marcos (Donatello)

La escultura de San Marcos de Donatello forma parte del ciclo de catorce estatuas de los protectores de las Artes de Florencia, colocadas en nichos en el exterior de la Iglesia de Orsanmichele. Es encargado por el Arte de la Lana y se remonta a 1411-1413. Es de mármol y mide 248 cm de alto. Se encuentra en el interior del museo de Orsanmichele, mientras que en el exterior se sustituyó por una copia.

[it] San Marco (Donatello)

La statua di San Marco di Donatello fa parte del ciclo delle quattordici statue dei protettori delle Arti di Firenze nelle nicchie esterne della chiesa di Orsanmichele. Fu commissionata dall'Arte dei Linaioli e Rigattieri e risale al 1411-1413. È in marmo apuano ed è alta 248 cm. Oggi si trova conservata all'interno del Museo di Orsanmichele, mentre all'esterno è sostituita da una copia.



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