The Crusader, also known as the Victor Lawson Monument, is a memorial marking the grave of Chicago newspaper publisher Victor Lawson. It is in Chicago's historic Graceland Cemetery and was designed by American sculptor Lorado Taft in 1931.
Victor Lawson Monument | |
U.S. Historic district Contributing property | |
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Location | Chicago, Cook County, Illinois, United States |
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Built | 1931 |
Sculptor | Lorado Taft |
Architectural style | Gothic Revival[1] |
Part of | Graceland Cemetery (ID00001628) |
Designated CP | January 18, 2001 |
The Crusader was created in 1931 by Lorado Taft.[2] In Chicago's historic Graceland Cemetery, it is a monument intended to memorialize Victor F. Lawson (1850–1925), the publisher of the Chicago Daily News.[2] The Chicago Daily News was founded by Melville E. Stone, Percy Meggy and William Dougherty in 1875.[3] In July 1876, Lawson invested money into the publication, which was struggling, and became its business manager. By the 1890s, the paper had reached a circulation of 200,000 people. Lawson remained involved with the paper until 1925.[4] The Crusader was commissioned by Victor Lawson's brother, Iver Lawson.[5]
The Crusader is a medieval knight, and is used to symbolize the character of Victor Lawson.[2] Standing more than thirteen feet tall, it was carved out of a solid block of dark granite supplied by the Henry C. Smalley Granite Company of Quincy, Massachusetts. The granite was then highly polished.[6] The knight, with a large sword and shield, was an image that Taft had contemplated for years; he used it in numerous works besides The Crusader.[7] The original model of The Crusader was done in clay.[7]
Unlike Taft's earlier work, The Crusader emphasizes its "sheer mass", helped by the lack of realistic details in the sculpture.[7] The monument does not bear Lawson's name, but does have an inscription which reads, "Above all things truth beareth away victory",[2] a quote from 1 Esdras 3:12.[8] Stylistically, the Lawson Monument falls within Gothic Revival.[1] The Crusader is described as "an excellent example of Taft's late style in which he blended literal realism and allegory".[9]
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