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Worker and Kolkhoz Woman (Russian: Рабо́чий и колхо́зница, tr. Rabóchiy i kolkhóznitsa) is a sculpture of two figures with a sickle and a hammer raised over their heads. It is 24.5 metres (78 feet) high, made from stainless steel by Vera Mukhina for the 1937 World's Fair in Paris,[1] and subsequently moved to Moscow. The sculpture is an example of socialist realism in an Art Deco aesthetic. The worker holds aloft a hammer and the kolkhoz woman a sickle to form the hammer and sickle symbol.[1]

Worker and Kolkhoz Woman
Рабо́чий и колхо́зница (Rabochiy i Kolkhoznitsa)
ArtistVera Mukhina
Year1937
TypeStainless steel
Dimensions24.5 m (80 ft)
LocationRussian Exhibition Centre, Moscow

History


1937 Expo pavilion in Paris
1937 Expo pavilion in Paris
The set-up of the Soviet pavilion opposite to the pavilion of Nazi Germany at the 1937 World's Fair in Paris
The set-up of the Soviet pavilion opposite to the pavilion of Nazi Germany at the 1937 World's Fair in Paris
Worker and Kolkhoz Woman from the VDNKh Main Gate
Worker and Kolkhoz Woman from the VDNKh Main Gate

The sculpture was originally created to crown the Soviet pavilion of the 1937 World's Fair.[1] The organisers had placed the Soviet and German pavilions facing each other across the main pedestrian boulevard at the Trocadéro on the north bank of the Seine.[1]

Mukhina was inspired by her study of the classical Harmodius and Aristogeiton, the Winged Victory of Samothrace and La Marseillaise, François Rude's sculptural group for the Arc de Triomphe,[2] to bring a monumental composition of socialist realist confidence to the heart of Paris. The symbolism of the two figures striding from West to East, as determined by the layout of the pavilion, was also not lost on the spectators.[3]

Mukhina said that her sculpture was intended "to continue the idea inherent in the building, and this sculpture was to be an inseparable part of the whole structure",[4] but after the fair, the Rabochiy i Kolkhoznitsa was relocated to Moscow where it was placed just outside the All-Russia Exhibition Centre.

The grand opening of the exhibition took place on May 25, 1937[35]. The USSR pavilion received rave reviews, and the sculpture "Worker and Collective Farm Woman" was recognized as a symbol of the triumph of Soviet art, the French press dubbed it "the greatest work of the 20th century" and the embodiment of the idea of "liberated labor"[26]. Poet Louis Aragon and writer Romain Rolland, artists France Maserel and Pablo Picasso admired Mukhina's creation and called it "a striking, modern creation, a dynamic embodiment of the future"[33][34]. Even critics noted the overall expressiveness of the sculpture.

In 1941, the sculpture earned Mukhina one of the initial batch of Stalin Prizes.[3]

The sculpture was removed for restoration in autumn of 2003 in preparation for Expo 2010. The original plan was for it to return in 2005, but because the World's Fair was not awarded to Moscow but to Shanghai, the restoration process was hampered by financial problems and re-installation was delayed.

It finally returned to its place at VDNKh on 28 November 2009.[5] The revealing of the restored monument was held on the evening of December 4, 2009, accompanied by fireworks.[citation needed] The restored statue uses a new pavilion as its pedestal, increasing its total height from 34.5 metres (the old pedestal was 10 metres tall) to 60 metres (the new pavilion is 34.5 metres tall plus the 24.5 metres of the statue itself).[6]


Use in media


In Soviet cinema, the sculpture was chosen in 1947 to serve as the logo[7] for the film studio Mosfilm. It can be seen in the opening credits of the film Red Heat, as well as many of the Russian films released by the Mosfilm studio itself.

A giant moving reproduction of the statue was featured in the opening ceremony of the 2014 Winter Olympics in Sochi, Russia,[8][9] symbolizing post-World War II Soviet society, particularly in Moscow.




See also



References


  1. Richard Overy, The Dictators: Hitler's Germany, Stalin's Russia, p260 ISBN 0-393-02030-4
  2. Art and Power: Europe under the dictators, 1995, ISBN 1-85332-148-6
  3. Totalitarian Art, Golomstock, 1990 ISBN 0-00-272169-4
  4. Arkhitekturnaya gazeta, 28 February 1938
  5. "Moscow reinstalls landmark Soviet statue | Russia | RIA Novosti". En.rian.ru. 2009-11-28. Retrieved 2012-08-15.
  6. ""Рабочий и колхозница". Сложная судьба эталона соцреализма". РИА НОВОСТИ. 2007-04-11. Retrieved 2007-08-09.
  7. "Worker and Kolkhoz Woman: A Soviet-era Monument Finds Its Way Back into Moscow's Landscape « YT Files – Blog by Yuliya Talmazan". Archived from the original on 2009-12-31. Retrieved 2009-12-10.
  8. "Olympics Opening Ceremony Offers Fanfare for a Reinvented Russia". The New York Times. 7 February 2014. Retrieved 2009-02-09.
  9. "Sochi 2014 in five pictures". beranger.org. 7 February 2014. Archived from the original on 9 February 2014. Retrieved 2009-02-09.


На других языках


[de] Arbeiter und Kolchosbäuerin

Arbeiter und Kolchosbäuerin (russisch Рабочий и колхозница, Rabotschi i kolchosniza) ist eine 24,5 m hohe Plastik aus Edelstahl, die von der russischen Bildhauerin Wera Muchina im Stil des Sozialistischen Realismus stalinscher Prägung geschaffen wurde. Der Arbeiter und die Kolchosbäuerin halten ihre Werkzeuge nach oben, die zusammen das Symbol Hammer und Sichel ergeben. Die Figurengruppe stand zunächst auf dem Pavillon der Sowjetunion bei der Weltfachausstellung 1937 in Paris. Anschließend wurde sie nach Moskau gebracht, wo sie heute steht. Mit der heutigen Sockelhöhe von 34,5 Metern[1] erreicht das Monument eine Gesamthöhe von etwa 59 Metern.
- [en] Worker and Kolkhoz Woman

[es] Obrero y koljosiana

Obrero y koljosiana (ruso: Рабочий и колхозница, transliterado como Rabochi i koljóznitsa), también conocida como Obrero y campesina, es una estatua de 24,5 m hecha en acero inoxidable por la escultora soviética Vera Mújina en 1937. La escultura es un ejemplo del estilo realista socialista. El obrero sostiene en alto un martillo y la koljosiana sostiene una hoz, formando el símbolo comunista de la hoz y el martillo. Al igual que el obrero representa a los trabajadores industriales, la koljosiana representa al campesinado.

[fr] L'Ouvrier et la Kolkhozienne

L'Ouvrier et la Kolkhozienne (en russe : Рабо́чий и колхо́зница, Rabotchi i kolkhoznitsa) est un groupe sculpté créé par l'artiste russe Vera Ignatievna Moukhina en 1937. Il est devenu le symbole du « réalisme socialiste » soviétique. De style Art déco, le monument est composé de deux figures : une femme (la kolkhozienne) et un homme (l'ouvrier), brandissant respectivement la faucille et le marteau, symboles communistes des deux branches du prolétariat (l'agriculture et l'industrie).

[it] L'operaio e la kolchoziana

L'operaio e la kolchoziana (in russo: Рабо́чий и колхо́зница?, traslitterato: Rabočij i kolchoznica) è una statua alta 24.5 metri in acciaio inossidabile eseguita da Vera Muchina per l'Expo 1937 tenutasi a Parigi, e successivamente trasferita a Mosca. Questa scultura è un esempio dello stile del realismo socialista, così come dello stile art déco. L'operaio tiene in alto un martello e la kolchoziana[1], ovvero la contadina del kolchoz, una falce, ricreando il simbolo della falce e martello.

[ru] Рабочий и колхозница

«Рабо́чий и колхо́зница» — памятник монументального искусства, «идеал и символ советской эпохи», признанный «эталон социалистического реализма». Представляет собой скульптурную группу из двух фигур, мужской и женской, которые устремлены вперёд и поднимают над своими головами серп и молот[1]. Концепция и композиционный замысел принадлежат архитектору Борису Иофану, автор пластического воплощения — Вера Мухина[2]. Монумент предназначался для павильона СССР на международной выставке в Париже в 1937 году, его спроектировали и собрали в Москве, затем разделили на 65 частей и перевезли во Францию, где провели монтаж вторично. Скульптура была выполнена из нержавеющей хромоникелевой стали, облицовка из листов 0,5 мм толщиной крепилась на внутренний каркас, совокупная масса монумента превышала 63 тонны[3][4][5].



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