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Adolf von Hildebrand (6 October 1847 – 18 January 1921) was a German sculptor.

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Adolf von Hildebrand
Hans von Marées, Portrait of the sculptor Adolf von Hildebrand
Born	6 October 1847 Marburg, Kingdom of Prussia
Died	18 January 1921 Munich, Weimar Republic
Resting place	Kirchhof Oberföhring, Oberfohring, Münchener Stadtkreis, Bavaria (Bayern), Germany
Education	Academy of Fine Arts, Nuremberg, Academy of Fine Arts, Munich

Life

Hildebrand was born at Marburg, the son of Marburg economics professor Bruno Hildebrand. He studied at the Academy of Fine Arts Nuremberg, with Kaspar von Zumbusch at the Munich Academy and with Rudolf Siemering in Berlin.[1] From 1873 he lived in Florence in the St Francesco Monastery, a secularized sixteenth-century monastery.

A friend of Hans von Marées, he designed the architectural setting for the painter's murals in the library of the German Marine Zoological Institute at Naples (1873).[2] He spent a significant amount of time in Munich after 1889, executing a monumental fountain there, the Wittelsbacher Brunnen. He is known for five monumental urban fountains and for the Bismarck monument in Bremen, unveiled in 1910.

Hildebrand worked in a Neo-classical tradition, and set out his artistic theories in his book Das Problem der Form in der Bildenden Kunst ("The Problem of Form in Painting and Sculpture"), published in 1893.[3]

He was ennobled by the King of Bavaria in 1904.

He died in Munich in 1921.

Family

In 1877 he married Irene Schäuffelen. They were parents of the painter Eva, Elizabeth, sculptor Irene Georgii-Hildebrand, Sylvie, Bertele, and Catholic theologian Dietrich von Hildebrand.

Critical opinion

In 1917, the American sculptor, conservative critic and author Lorado Taft, while bemoaning the direction the German sculpture was moving in, described Hildebrand as:

a master of the old school and Florentine tradition, whose example has been a constant gospel of good taste and sanity. Even today, when the whole world has gone after false gods, his influence continues to be felt and I wonder if the fact that in the midst of this revolution German sculpture, however fantastic, remains essentially sculpture, is not due largely to the life long precept and practice of this admirable representative of the craft.[4]

See also

• Girl Playing the Lute
• Girl Playing the Lyre

References

• World Wide Art Resources
• Dietrich von Hildebrand: the Soul of a Lion, by Alice von Hildebrand (Ignatius, 2000)
• Adolph von Hildebrand page
• Encyclopædia Britannica Vol. 11, pp 491–492 (1971) ISBN 0-85229-151-5

External links

• Problem of Form 1901/1918
• Double Portrait of the Artist's Daughters in the collection of the J. Paul Getty Museum

На других языках

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[de] Adolf von Hildebrand

Adolf Hildebrand, ab 1903 Ritter von Hildebrand, (* 6. Oktober 1847 in Marburg; † 18. Januar 1921 in München) war einer der führenden deutschen Bildhauer seiner Zeit. Seine bekanntesten Werke sind das Luitpolddenkmal in München, das Bismarckdenkmal in Bremen, der Wittelsbacherbrunnen in München und der von Straßburg versetzte Vater-Rhein-Brunnen in München.

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- [en] Adolf von Hildebrand

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[es] Adolf von Hildebrand

Adolf von Hildebrand (Marburgo, Hesse, Alemania, 6 de octubre de 1847 - Múnich, 18 de enero de 1921) era un escultor alemán hijo del profesor de económicas Bruno Hildebrand, profesor en Breslavia, Jena y Marburgo.

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[fr] Adolf von Hildebrand

Adolf von Hildebrand (né Adolf Hildebrand le 6 octobre 1847 à Marbourg et mort le 18 janvier 1921 à Munich) est un sculpteur allemand parmi les plus brillants de sa génération. Il est le père du théologien Dietrich von Hildebrand.

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[it] Adolf von Hildebrand

Adolf von Hildebrand (Marburgo, 6 ottobre 1847 – Monaco, 18 gennaio 1921) è stato uno scultore e scrittore tedesco.

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[ru] Гильдебранд, Адольф фон

Адольф фон Гильдебранд (нем. Adolf von Hildebrand; 6 октября 1847, Марбург — 18 января 1921, Мюнхен) — художник немецкого неоклассицизма — скульптор, архитектор, живописец, рисовальщик, медальер. Выдающийся теоретик искусства. Отец философа Дитриха фон Гильдебранда.

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