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Andrea Meldolla (Croatian: Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice.[1] His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian.

Holy Family with St Catherine, 1552, Vienna
Holy Family with St Catherine, 1552, Vienna
Conversion of St. Paul
Conversion of St. Paul
Andrija Medulić/Andrea Schiavone bust in Zadar, Croatia
Andrija Medulić/Andrea Schiavone bust in Zadar, Croatia
The Crowning with thorns, woodcut by Schiavone after a painting by Titian
The Crowning with thorns, woodcut by Schiavone after a painting by Titian

Biography


Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia,[2] the son of a garrison commander of a post nearby. His family was originally from the small town of Meldola, close to the city of Forlì in Romagna.

He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, in a book of 1584, that he was a pupil of Parmigianino, but this has been doubted. There are unproven claims that he trained with Bonifazio de Pitati. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was well enough established in Venice that Giorgio Vasari commissioned him a large battle picture (which the Florentine author mentions in his Lives). Although initially much influenced by Parmigianino and Italian Mannerism, "he was also a strikingly daring exponent of Venetian painting techniques", and ultimately combined both in his works, influencing Titian, Tintoretto, and Jacopo Bassano among others. His works "shocked some contemporaries and stimulated others". By the 1550s, he had achieved a new synthesis of Raphael and Titian's compositional elements with his own interest in atmosphere, effecting a "fusion of form with a dense atmosphere in a pictorial fabric whose elements tend to lose their separate indenties".

Sydney Joseph Freedberg describes Meldolla as well adapted to the Mannerist vocabulary, and says that while he was "able to invent a Venetian Maniera...he was strangely uncreative in the more ordinary workings of artistic invention."[3] Later in the 1550s, "occasionally, the sensibility – too receptive, almost feminine – that inclined Schiavone towards imitation brought him to the verge of echo of the larger personality" (Titian).[4] Other works have attributions disputed between him and Tintoretto. Few of his paintings are documented; this may be because, as Vasari states, he mostly worked for private clients.

Richardson also insists on his importance as an etcher: "In etching he was similarly innovative. His technique was unlike that of any contemporary: unsystematically he used dense webs of light, fine, multidirectional hatching to create a tonal continuum embracing form, light, shadow, and air. His etchings are the only real equivalent in printmaking of later 16th-century Venetian painting modes, and his technical experiments were emulated by 17th-century etchers such as Jacques Bellange, Giovanni Benedetto Castiglione and Rembrandt".

Meldolla died in Venice in 1553.


Notes


  1. "Schiavone, Andrea." The Oxford Dictionary of Art. Web. 27 Apr. 2011.
  2. Because of his birthplace, Lo Schiavone appears in Croatian literature and history of art exclusively as Andrija Medulić, which is the Croatian version of his name. His Italian nickname, Schiavone, meant "Slav" in Old Italian – the ethnonym Schiavone usually indicated origins in parts of Croatia (Dalmatia or Istria) under the rule of the Republic of Venice.
  3. Freedberg, 534
  4. Freedberg, 534

References



Further reading





На других языках


[de] Andrea Schiavone

Andrea Schiavone (kroatisch Andrija Medulić, italienisch Andrea Schiavone, eigentlich Andrea Meldolla (Medola); * um 1510 in Zara, heute Zadar in Kroatien oder 1522;[1][2] † 1563 in Venedig) war ein venezianischer Maler.
- [en] Andrea Schiavone

[es] Andrea Schiavone

Andrija Medulić (italianizado Andrea Meldolla), conocido como Andrea Schiavone o Andrea Lo Schiavone (Zara, 1510 - Venecia, 1 de diciembre de 1563) fue un pintor de origen italiano, nacido en Dalmacia, por entonces territorio de la República de Venecia, que estuvo activo en la época del Renacimiento veneciano.

[fr] Andrea Schiavone

Andrea Meldolla, dit Andrea Schiavone[N 1], Lo Schiavone ou Andrija Medulić, est un peintre et graveur italien, né à Zara[N 2] vers 1510-1515 et mort en 1563. Maniériste de l'école vénitienne, il a produit une œuvre remarquable par ses coloris audacieux[1].

[it] Andrea Schiavone

Andrea Meldolla o Medulich, detto Andrea Schiavone o lo Schiavone, (Zara, 1510/1515 – Venezia, 1º dicembre 1563) è stato un pittore e incisore italiano, attivo soprattutto a Venezia, uno dei protagonisti del Manierismo veneto.

[ru] Скьявоне, Андреа

Андре́а Скьяво́не (итал. Andrea Schiavone), также Андре́а Мельдо́лла (итал. Andrea Meldolla), настоящее имя — Андрия Медулич хорв. Andrija Medulic, между 1510 и 1515, Дзара, Далмация — 1 декабря 1563, Венеция) — итальянский живописец и гравёр венецианской школы.



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