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Antoine Caron (1521–1599) was a French master glassmaker, illustrator, Northern Mannerist painter and a product of the School of Fontainebleau.

Antoine Caron
Engraving of Antoine Caron by Thomas De Leu, 1599
Born	1521 Beauvais, France
Died	1599 (aged 77–78) Paris, France
Citizenship	France
Alma mater	School of Fontainebleau
Occupation	Artist, painter
Spouse	Marie Dangobert
Children	Louis Caron
Parent(s)	Phillipe Caron, Adele (Lamarre) Caron

He is one of the few French painters of his time who had a pronounced artistic personality.[1] His work reflects the refined, although highly unstable, atmosphere at the court of the House of Valois during the French Wars of Religion of 1560 to 1598.

Life

Caron was born in Beauvais between 1521 and 1530 to Phillipe and Adele (Lamarre) Caron.

He married Marie Dangobert in 1555. Together, they had one son, Louis, who was born ca. 1570.

Career

He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of organizing the court pageants. In this way he was involved in organizing the ceremony and royal entry for the coronation of Charles IX in Paris and the wedding of Henry IV of France with Marguerite de Valois. Some of his surviving illustrations are from these pageants.

His drawings of festivities at the court of Charles IX are likely sources for the depiction of the court in the Valois Tapestries. He died in Paris in 1599.

Art

Not many of Caron's works survive, but they include historical and allegorical subjects, court ceremonies, astrological scenes, and his massacres, done in the mid-1560s. An example is his only signed and dated painting, Massacres under the Triumvirate (1566) which hangs in the Louvre. Caron used bright colors and incorporated unusual architectural forms.[2] He often placed his human figures almost insignificantly on grand stages, as did his mentor dell'Abbate. His figures tend to be elongated, even in portraits such as Portrait of a Lady (1577).

Many works attributed to him are also attributed to others. As there is minimal documentation of French painting in that era, this is not unusual. Because Caron is relatively well known, his name is likely to be attached to paintings similar to his known works.[3] In some cases, such painting are now ascribed "to the workshop of Antoine Caron", for example, The Submission of Milan to Francis I in 1515 (c. 1570).[4]

Selected works

• Massacres of the Triumvirate, 1566, oil on linen canvas, 116 × 195 cm, Musée du Louvre, Paris[5][6]
• La Sibylle de Tibur, 1575/1580, oil on canvas, 170 × 125 cm, Louvre, Paris, (The Tiburtine Sibyl or Augustus and the Sibyl of the Tiber)
• Abraham and Melchisedek, c. 1590, wood, 80 × 94 cm. private collection, Paris
• Astronomers Watching an Eclipse or Dionysius the Areopagite Converting the Pagan Philosophers, 1570s, oil on canvas, 93 × 73 cm., formerly in the collection of Anthony Blunt, London, now at the J. Paul Getty Museum, Los Angeles
• Portrait of a Lady, 1577, Tempera on panel, Alte Pinakothek, München
• Le train de deuil Amors, Louvre, Paris (The funeral procession of Love or An Allegory of the Death of Love)
• Bagathan and Tharès Staatliche Graphische Sammlung (State Graphics Collection) in the Münchner Haus der Kulturinstitute (Munich Culture Institute), Munich
• The Elephant Carousel, 1598, oil on wood, 87 × 130 cm., private collection, Paris
• The Arrest and Supplication of Sir Thomas More (1478–1535) oil on wood, Musee de Blois, Blois
• Apotheose of Semele, c. 1585, oil on wood, 65 × 76 cm. private collection, Paris
• The Triumph of Winter, c. 1568, oil on canvas, 103 × 179 cm, private collection
• Diane Chasseresse, 1550, oil on Louvre, Paris, (Diana, the Huntress) [School of Fontainebleau ... ][7]
• The Submission of Milan to Francis I in 1515, c. 1570, oil on wood, 50.5 × 66.8 cm, National Gallery of Canada, Ottawa, Ontario [workshop of ... ][4]

Gallery

• 
  Augustus and the Sibyl of the Tiber (c. 1578)
• 
  Massacres of the Triumvirate (1566)
• 
  Henri Lerambert [fr],[8] Christ and the Adultress
• 
  Triumph of Winter (c. 1568)
• 
  Dionysius the Areopagite Converting the Pagan Philosophers (c. 1570)[9]
• 
  The massacre under the Triumvirate, Musée d'Art classique de Mougins

Notes

References

• Ehrmann, Jean (1955) Antoine Caron: peintre à la cour des Valois, 1521-1599 (Travaux d'humanisme et Renaissance, No 18) Droz, Geneva, OCLC 30014514
• Ehrmann, Jean (1986) Antoine Caron: peintre des fêtes et des massacres Flammarion, Paris, ISBN 2-08-010992-8
• Chilvers, Ian (ed.) (2004) "Caron, Antoine (1521-1599)" The Oxford Dictionary of Art (3rd ed.) Oxford University Press, Oxford, ISBN 0-19-860476-9
• Hueber, Frédéric (2016) La vie et l'oeuvre d'Antoine Caron (1521-1599), University of Geneva, Geneva (PhD thesis in history of art), 3 vol.

External links

• "Artist Biographies: Antoine Caron" Barewalls.com

На других языках

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[de] Antoine Caron

Antoine Caron (* um 1521 in Beauvais; † 1599 in Paris) war ein französischer Maler des Manierismus und ein Meister der Schule von Fontainebleau.

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- [en] Antoine Caron

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[es] Antoine Caron

Antoine Caron (Beauvais, circa 1520 - París, 1598) fue un pintor francés del Renacimiento, perteneciente al Manierismo de la llamada Escuela de Fontainebleau.

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[fr] Antoine Caron

Antoine Caron, né en 1521 à Beauvais et mort en 1599 à Paris, est un maître verrier, illustrateur et peintre français maniériste de l’école de Fontainebleau.

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[it] Antoine Caron

Antoine Caron (Beauvais, 1521 – Parigi, 1599) è stato un pittore francese, un illustratore formato artisticamente nella scuola di Fontainebleau. Viene considerato uno dei pittori francesi del suo tempo dotati di una spiccata personalità artistica[1] Il suo lavoro comunicò l'incerta atmosfera di corte della Casa di Valois durante la Guerra di Religione dal 1560 al 1598.

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[ru] Карон, Антуан

Антуан Карон (фр. Antoine Caron, 1521, Бове — 1599, Париж) — французский художник-маньерист, книжный иллюстратор, принадлежал к школе Фонтенбло.

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