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Edward Beyer (1820–1865) was a German landscape painter who was active in the United States and became known for his depiction of the Antebellum South.

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Biography

He was born Eduard Beyer in Aachen, and was a graduate of the Düsseldorf Academy of Art, or the Kunstakademie Düsseldorf, where he studied between 1837 and 1838 under Joseph Wintergerst and Rudolf Wiegmann. He traveled to the United States in 1848 with his wife, living first in Newark, New Jersey and later in Philadelphia, Pennsylvania and Cincinnati, Ohio.

He visited Virginia in 1854 and stayed until about 1856 or 1857 sketching and painting a number of scenes that would appear in his "Album of Virginia" (1857).[1][2]

Edward Beyer eventually returned to Germany and died at Munich in 1865.[3]

Artistic style

Beyer's style was formed at the Dusseldorf Academy with its tradition of Classicism and Romanticism and critics hold a favorable view of Breyer's artistic endeavors.[4]

In his painting of the Bellevue Plantation near Ridgeway, Henry County, Virginia, a homestead of the Andrew and Maria Lewis family, Beyer depicts eight slaves toiling in a wheat field. The painting is accomplished "in the dramatic style of the Dusseldorf Academy, which emphasized atmosphere, action and drama."[5]

Some of his works comprised industrial scenes such as railroads and bridges, juxtaposing romanticism and realism.

The painting of what was Charleston, Virginia in 1854 was declared a painting trifecta by Antiques Roadshow (U.S. TV series) appraiser Colleene Fesko. Fesko said she was amazed when she saw the piece and had to pull out her glasses to fully examine in detail the panoramic work. While in Charleston, Beyer was offered a commission from a number of businessmen in the community. They had to have a lottery to decide who would own the painting, and it stayed with the same family ever since. Fesko said that Beyer created 40 panoramic landscape paintings of Virginia towns in the mid-19th century.[6][7][8]

Art historians lauded Beyer's "delicate and precise style" and "characteristic refinement of proportion."[9]

List of works

Gallery

• 
  View of Cincinnati
• 
  Red Sulphur Springs
• 
  The High Bridge Near Farmville
• 
  The Peaks of Otter and the Town of Liberty
• 
  Montgomery White Sulphur Springs
• 
  Blue Sulphur Springs Resort
• 
  Staunton, Va.

References

Further reading

• Edward Beyer. Description of the Album of Virginia: Or, The Old Dominion, Illustrated. Richmond, Va: Enquirer Book and Job Print. Office, 1857.
• Edward Beyer. Album of Virginia. Lithographs by Rau & son, Dresden, and W. Locillot, Berlin. Richmond: s.n., 1858.
• Beyer, Edward. Edward Beyer's Cyclorama: malerische Reise nach New York und durch die Vereinigten Staaten von Nordamerika, zurück nach Hamburg. Dresden: Meinhold, 1860.
• Edward Beyer's Cyclorama malerische Reise nach New York und durch die Vereinigten Staaten von Nordamerika, zurück nach Hamburg. Dresden: Meinhold, 1860. Microopaque. Louisville, Ky.: Lost Cause Press, 1962.
• Beyer, Edward, Holle Schneider-Ricks, and George A. McLean. Edward Beyer's Travels Through America: An Artist's View; Including Edward Beyer's Cyclorama; Translated by Holle Schneider with an Introduction by George A. McLean, Jr. Roanoke, VA: Historical Society of Western Virginia, 2011.

External links

• Historical Hall of Fame: Edward Beyer, Virginia History Series
• Edward Beyer in the National Gallery of Art
• Edward Beyer (1820-1865), Arader Galleries
• Edward Beyer, AskArt

На других языках

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[de] Edward Beyer (Maler)

Edward Beyer, eigentlich Eduard Beyer (* 18. April 1821 in Düsseldorf; † 4. Dezember 1865 in München[1]), war ein in Neuengland und in den Südstaaten wirkender deutscher Landschafts- und Panoramamaler sowie Kupferstecher der Düsseldorfer Schule.[2]

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- [en] Edward Beyer

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