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Jacob de Gheyn II (also Jacques de Gheyn II) (c. 1565 29 March 1629) was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career.

Portrait of Jacobus de Geyn, Antwerp, by Hendrik Hondius I, from his Pictorum, 1610
Portrait of "Jacobus de Geyn, Antwerp", by Hendrik Hondius I, from his "Pictorum", 1610
Print: Ruben, Son of Jacob. Made after the example of Karel van Mander.[1]
Print: Ruben, Son of Jacob. Made after the example of Karel van Mander.[1]

Biography


Portrait of Venus and Cupid, c.1605-1610
Portrait of "Venus and Cupid", c.1605-1610

De Gheyn was born in Antwerp and received his first training from his father, Jacob de Gheyn I, a glass painter, engraver, and draftsman.[2] In 1585, he moved to Haarlem, where he studied under Hendrik Goltzius for the next five years. He moved again, to Leiden, in the middle of the 1590s. His work attracted the attention of wealthy sponsors, and his first commission was for an engraving of the Siege of Geertruidenberg from Maurice of Nassau, Prince of Orange. This event, from 27 March to 24 June 1593, had been more of a demonstration of power by Prince Maurits, than an actual war, and had even attracted tourists. As a publicity stunt, the siege and its subsequent engraving were successful in propagating an image of Prince Maurits as an able general.

Around 1600, de Gheyn abandoned engraving, and focused on painting and etching. Moving to The Hague in 1605, he was employed often by Dutch royalty, designing a garden in the Buitenhof for Prince Maurice of Orange which featured the two first grottoes in the Netherlands. After Prince Maurice's death in 1625, de Gheyn worked for his brother, Prince Frederick Henry. De Gheyn painted some of the earliest female nudes, vanitas, and floral still lifes in Dutch art. He is credited with creating over 1,500 drawings, including landscapes and natural history illustrations. He produced 117 engravings for the military manual The Exercise of Armes while living in Amsterdam.[3][4]

De Gheyn married Eva Stalpaert van der Wiele of Mechelen in 1595.[4] His son, Jacob de Gheyn III, was born in 1596, and grew to become an engraver in his own right, as well as the subject of a portrait by Rembrandt.[5] De Gheyn died in The Hague.

Karel van Mander on his Deathbed
Karel van Mander on his Deathbed
Vanitas Still Life - 1603
Vanitas Still Life - 1603
Vanitas Still Life Yale University Art Gallery
Vanitas Still Life Yale University Art Gallery

References


  1. "Ruben, Zoon van Jacob". lib.ugent.be. Retrieved 2020-10-02.
  2. Gheyn, de. (2000). The Grove Dictionary of Art. Retrieved January 26, 2007.
  3. "Jacques de Gheyn II". J. Paul Getty Trust. Archived from the original on August 21, 2007. Retrieved January 26, 2007.
  4. Jacques de Gheyn II. https://en.wikipedia.org/w/index.php?title=Jacob_de_Gheyn_II&action=edit&section=1(2000). The Grove Dictionary of Art. Retrieved January 26, 2007.
  5. Kren, Emil, & Marx, Daniel. Gheyn, Jacob de II. (n.d.) Web Gallery of Art. Retrieved January 26, 2007.
  6. "De Wapenhandelinghe van Roers, Musketten ende Spiesen", 1608



На других языках


[de] Jakob de Gheyn II.

Jacob de Gheyn II. oder auch Jacques de Gheyn II. genannt (* um 1565 in Antwerpen; † 29. März 1629 in Den Haag) war ein niederländischer Maler und Graveur.
- [en] Jacob de Gheyn II

[es] Jacob de Gheyn II

Jacob de Gheyn II fue un dibujante, grabador y pintor holandés nacido en Amberes en 1565 y muerto en La Haya el 29 de marzo de 1629.

[fr] Jacob De Gheyn le Jeune

Jacob De Gheyn II ou Jacob De Gheyn le Jeune, né à Anvers en 1565 et mort à La Haye le 29 mars 1629 est un peintre, dessinateur et graveur maniériste néerlandais de la fin de la Renaissance et du début du Siècle d'Or.

[it] Jacob de Gheyn

Jacob de Gheyn (Anversa, 1565 circa – L'Aia, 29 marzo 1629) è stato un pittore e incisore olandese.



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