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Julio Romero de Torres (9 November 1874 10 May 1930) was a Spanish painter.[1] His brothers, Rafael and Enrique [es], also became painters.

Julio Romero de Torres
Photograph, c.1895-1905
Born
Julio Romero de Torres

(1874-11-09)9 November 1874
Córdoba, Spain
Died10 May 1930(1930-05-10) (aged 55)
Córdoba, Spain
EducationRafael Romero Barros (father),
Fine Arts Museum of Córdoba
Notable work
MovementSymbolism

Biography


He was the son of Rafael Romero Barros, a painter who served as Director of the Fine Arts Museum of Córdoba. When he was only ten, he began his apprenticeship with his father at the School Of Fine Arts. His first known works, Head of an Arab and On Horseback, date from 1889. Two years later, he was providing illustrations for the Diario de Córdoba [es].

Monument to Romero in Córdoba (1940), by Juan Cristóbal González [es]
Monument to Romero in Córdoba (1940), by Juan Cristóbal González [es]

In 1895, he had his first showing; at the National Exhibition of Fine Arts, where he received honorable mention. Although he attempted to win a scholarship to the Academia de España en Roma [es], in 1897, he was unsuccessful. The following year, his brother Rafael died, aged only thirty-three. He also participated in the 1899 National Exhibition; being awarded a third-class medal. It was then that he began teaching at the art school, and married Francisca Pellicer López, who was also from a family of artists. He was named a Professor at the school in 1903.

During these years, he also travelled extensively, visiting Italy, France, England and the Low Countries. At the National Exhibition of 1906, his entry, Nurseries of Love (depicting prostitution), was rejected for being immoral, but received more attention from the public than the winning entries. At the Exhibition of 1908, he was awarded a first-class medal for his Gypsy Muse. In 1912, his work went unrecognized again, but his admirers presented him with his own gold medal, sculpted by Julio Antonio. After being snubbed at the Exhibition of 1915, he stopped participating, but chose to settle in Madrid. In 1916, he became a Professor of "Antique Drawing and Clothing" at the Real Academia de Bellas Artes de San Fernando.

He strove to represent the Academia at numerous international exhibitions, but his greatest success came in 1922, when he went to Buenos Aires with his brother Enrique, to open a showing at the Witcomb Gallery. His presentation included a catalog written by the famous author, Ramón del Valle-Inclán, and was a resounding success. Shortly after, he was elected a full member of the Real Academia, and the academy in Córdoba.

By 1928, his health was visibly declining and his doctors advised him to take a long rest. Exhausted from overwork and liver disease, he returned to his hometown in 1930, to recuperate, but continued to work. He left two paintings unfinished when he died, at the age of fifty-five. Much of the city turned out to mourn.


Selected paintings


The Museum of Julio Romero de Torres at his former residence in Córdoba houses examples of his works, as well as works by Francisco Zurbarán, Alejo Fernández, Antonio del Castillo and Valdés Leal. Some of his important works at the museum include Amor místico y amor profano, El Poema de Córdoba, Marta y María, La saeta, Cante hondo, La consagración de la copla, Carmen, and La chiquita piconera.


References


His painting, La Fuensanta, on the 100 Peseta note (1953)
His painting, La Fuensanta, on the 100 Peseta note (1953)
  1. Museo Julio Romero

Sources





На других языках


[de] Julio Romero de Torres

Julio Romero de Torres (* 9. November 1874 in Córdoba; † 10. Mai 1930 ebenda) war ein spanischer Maler des Realismus.
- [en] Julio Romero de Torres

[es] Julio Romero de Torres

Julio Romero de Torres (Córdoba, 9 de noviembre de 1874-Córdoba, 10 de mayo de 1930)[1] fue un pintor simbolista español. Nacido en una familia de artistas, de joven realiza una pintura regionalista, heredera de la mejor tradición española, para adherirse progresivamente a la estética de la generación del 98 y del modernismo, triunfante en España. Hacia 1908, su estética desemboca en un estilo personal que conjuga sentimiento popular y un genuino folclore, en una línea andalucísima plagada de refinamiento y embrujo.[2][3] En sus inicios, junto a Solana, Arteta y Ricardo Baroja, intenta reflejar en sus cuadros una España dramática y rural, frente a Sorolla, Sotomayor o Moreno Carbonero, de visión más acomodaticia.

[fr] Julio Romero de Torres

Julio Romero de Torres est un peintre symboliste espagnol né le 9 novembre 1874 à Cordoue où il est mort le 10 mai 1930.

[it] Julio Romero de Torres

Julio Romero De Torres (Cordova, 9 novembre 1880 – Cordova, 10 maggio 1930) è stato un pittore spagnolo, figlio di Rafael Romero Barros, pittore e curatore del Museo di belle arti di Cordova.

[ru] Ромеро де Торрес, Хулио

Ху́лио Роме́ро де То́ррес (исп. Julio Romero de Torres; 9 ноября 1874 (1874-11-09), Кордова — 10 мая 1930, Кордова) — испанский художник эпохи реализма, сын известного испанского художника Рафаэля Ромеро Барроса, основателя и директора Провинциального музея изящных искусств Кордовы, и Розарио де Торрес Дельгадо. Большую часть своей жизни провел в Кордове. По настоянию отца с 10 лет учился в Школе искусств, где изучил основные направления живописи. В 1906 году Хулио Ромеро де Торрес отправился в Мадрид для продолжения учебы. Оба эти места нашли наибольшее отражение в его картинах. Также путешествовал по всей Европе. В 1916 году он стал профессором в Школе изящных искусств в Мадриде. В 1922 году он отправился в Аргентинскую Республику со своим братом Энрике. Некоторые работы художника находятся в Музеи Хулио Ромеро де Торреса в Кордове.



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