Nellie Verne Walker (December 8, 1874 – July 10, 1973), was an American sculptor best known for her statue of James Harlan formerly in the National Statuary Hall Collection in the United States Capitol, Washington D.C.
American sculptor
For the American novelist with same birthname, see Nella Larsen.
Nellie Walker
Born
(1874-12-08)December 8, 1874
Red Oak, Iowa
Died
July 10, 1973(1973-07-10) (aged98)
Colorado Springs, Colorado
Nationality
American
Knownfor
Sculpture
Mitchell family marker, Cadillac, Michigan
Early years
Nellie Verne Walker was born in Red Oak, Iowa, the daughter of Everett Walker, a stone carver and monument maker, and Rebecca Jane Lindsay Walker.[1][2][3] By the age of 17 she was allowed to use her father's tools and began making her own sculpture in her father's monument shop in Moulton, Iowa. Her first noteworthy work was a bust of Abraham Lincoln that was displayed at the Columbian Exposition in 1893,[1] as an exhibit in the Iowa Building there, labeled "The work of an Iowa Girl". She was to return to the theme of Lincoln again in her career. Unable to afford to go to art school, Walker worked as a legal secretary for six years before she could obtain enough money to attend the Art Institute of Chicago.
Stratton memorial
At four foot eight (4'8") and less than a hundred pounds she seemed an unlikely candidate to be able to meet and to succeed at the very physical demands placed on a sculptor, but the teacher, Lorado Taft decided to give her a chance and they were to remain friends and co-workers for the rest of their lives.[4] Ultimately, because of her diminutive size and her work, she became known as "the lady who lived on ladders."[1] When Taft died in 1936, leaving much of the Heald Square Monument – a sculpture group of George Washington, Robert Morris and Haym Salomon – undone, she was one of several sculptors who were commissioned to finish the piece (1941). Not long thereafter she began getting her own commissions and so moved into studio space in the famous (in sculpture circles) Midway Studio where she shared space with Taft and other Chicago sculptors. In 1902, reclusive Colorado Springs millionaire W. S. Stratton died and someone there realized that Walker was in town and asked her to make a death mask, which she did. The family was so impressed with Walker that they commissioned her to do a bust, followed by a large carved granite cemetery marker and finally an over-life-sized statue of Stratton.
Chief Keokuk
All are still located in the Colorado Springs area.[5]
Lorado Taft, in his groundbreaking The History of American Sculpture mentions Walker as a significant young sculptor and specifically refers to her Chief Keokuk statue. Like many other sculptors of her era Walker created both architectural and cemetery sculpture. She was a member of the National Sculpture Society[1] and was inducted into the Iowa Women's Hall of Fame in 1987. Late in life, following the 1948 destruction of her Chicago studio, Walker moved to Colorado Springs, Colorado where she occasionally modeled pottery for the Van Briggle Pottery company, and she died there in 1973, aged 98.
Monuments
Lanning Fountain
Lanning Fountain (looking up)
Lanning Fountain (profile)
Winfield Scott Stratton, (1907), Colorado Springs, Colorado
figures of Friendship and Character, (1929) Michigan League Building, Ann Arbor, Michigan
Monumental figures of Moses and Socrates for the courthouse in Jackson, Mississippi
Panels, Iowa State University Library, Ames, Iowa
Royal Neighbors Building, (1927) Rock Island, Illinois
Michigan League Building
Cemetery works
Decker Memorial
Stratton grave site
Helen McMullen
Diggins Monument
Mitchell
Mitchell
detail
detail
Winfield Scott Stratton, (1905), Colorado Springs, Colorado
Lillian Watson, (1909), Chicago, Illinois
Delos Diggins, (1909), Cadillac, Michigan
Johannes Decker, (1910), Battle Creek, Michigan
Fred and Carrie Diggins, (1916), Cadillac, Michigan
W.W. Mitchell, (1916), Cadillac, Michigan
Helen McMullen, (1919), Minneapolis, Minnesota
Charles W. Shippey, (1922), Chicago, Illinois
Myron L. Learned, (1928), Omaha, Nebraska
Milton T. Barlow, (1930), Omaha, Nebraska
Carl Gray, (1940), Baltimore, Maryland
Butterfield Monument, (ca. 1920), Grand Rapids, Michigan
Sources
Contemporary American Sculpture, The California Palace of the Legion of Honor, Lincoln Park, San Francisco, The National Sculpture Society 1929
Hunt, Inez, the Lady who Lived on Ladders, Filter Press, Palmer Lake, Colorado, 1970
Kvaran, Einar Einarsson Cemetery Sculpture in America, unpublished manuscript
McConnell, Susan, Public Treasures: Outdoor Sculpture in the Pikes Peak Region, City of Colorado Springs, Parks and Recreation Department, 1995
Opitz, Glenn B, Editor, Mantle Fielding’s Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986
Rubenstein, Charlotte Streifer, American Women Sculptors, G.K. Hall & Co., Boston 1990
Taft, Lorado, The History of American Sculpture, MacMillan Co., New York, NY 1925
References
"Nellie Verne Walker". Iowa Department of Human Rights humanrights.iowa.gov. Retrieved 2019-04-27.
CHANDLER, JOSEPHINE CRAVEN (1924). "Nellie Verne Walker: An Appreciation". The American Magazine of Art. 15 (7): 366–370. ISSN2151-254X. JSTOR23929023.
"nellie walker death". The des Moines Register. 24 February 2002. p.21. Retrieved 2019-04-27.
Hunt, Inez, ‘’The Lady Who Lived on Ladders: the Story of the Famous Sculptor Who Was Chosen to Make the Death Mask for Winfield Scott Stratton’’, Filter Press, Palmer Lake, Colorado, 1970 pp. 19–24
Sippel, John (January 18, 1999). "New Look for--and at--a Campus Icon". NewsSmith. No.Winter 1999. Smith College Office of College Relations. Retrieved 23 June 2020.
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