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The 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.

This article may be expanded with text translated from the corresponding article in Italian. (October 2018) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Polittico del 1476]]; see its history for attribution. You should also add the template {{Translated|it|Polittico del 1476}} to the talk page. For more guidance, see Wikipedia:Translation.

1476 Altarpiece
Italian: Polittico di San Domenico
The London panels
Artist	Carlo Crivelli
Year	1476
Medium	tempera and gold on panel
Condition	Divided
Location	National Gallery and Metropolitan Museum

History

The altarpiece was likely originally constructed for the Dominican church of Ascoli Piceno, given the inclusion of Dominican saints on the lower levels of the altarpiece. The church held another 1476 Crivelli work, the Saint Peter Martyr Altarpiece. Both works were dismantled from their altars c. 1776 due to renovations in the church. They were then sold to an antiquarian, Grossi, who further separated the panels and regrouped them. (The predellas that went with the altarpieces are lost.)

The altarpiece was seen by Luigi Lanzi and purchased by Francesco Saverio de Zelada in Rome in 1789, and it arrived in Florence with the Rinuccini family [it]. The 1476 Altarpiece arrived at London's National Gallery in 1868, having come from the Demidov collection.

Art historians Federico Zeri and Rodolfo Pallucchini [it] reintegrated the formerly separated altarpieces, referring first to the Pietà in the Metropolitan Museum and second to the Madonna in the Museum of Fine Arts of Budapest. In 1961, the National Gallery again disjoined its panels and reconstructed them into two separate polyptychs.

Description and style

The altarpiece has a traditional setting, with a Madonna Enthroned with Child at the center, the saints depicted to the sides, and on the upper level a Pietà and half-figure saints.

The structure of the altarpiece perplexed critics for a long time. Art historians eventually adopted the theory that the altarpiece was actually an assemblage of panels from different sources.

Panels

Lower register:

• Madonna and Child, 148x63 cm, signed OPVS KAROLI CRIVELLI VENETI 1476
• Saint John the Baptist, 138x40 cm
• Saint Peter, 138x40 cm
• Saint Catherine of Alexandria, 138x40 cm
• Saint Dominic, 138x40 cm

Upper register:

• Saint Francis, 61x40 cm
• Saint Andrew, 61x40 cm
• Pietà, 69x63,5 cm
• Saint Stephen, 61x40 cm
• Saint Thomas, 61x40 cm

Possible reconstruction

Bibliography

• Zampetti, Pietro (1986). Carlo Crivelli (in Italian). Florence: Nardini Editore.

External links

• National Gallery
• Met Collections

На других языках

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- [en] 1476 Altarpiece

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[es] Políptico Demidoff

El Políptico de 1476 (también Políptico de San Domenico o, impropiamente, Políptico Demidoff) es una pintura al temple y dorado sobre tabla de Carlo Crivelli, datada en 1476 sobre el panel central y hoy separado entre la National Gallery de Londres y el Metropolitan Museum de Nueva York.

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[it] Polittico del 1476

Il Polittico del 1476 (o Polittico di San Domenico o, impropriamente Polittico Demidoff) è un dipinto a tempera e oro su tavola di Carlo Crivelli, datato al 1476 su pannello centrale e oggi smembrato tra la National Gallery di Londra e il Metropolitan Museum di New York.

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