art.wikisort.org - Painting

Allegory of Painting is an artwork painted by the Italian baroque artist Artemisia Gentileschi. It hangs in the Musee de Tesse, Le Mans, France.[1]

An Allegory of Painting
Allegory of Painting (Artemisia Gentileschi)
Artist	Artemisia Gentileschi
Year	1620s
Medium	Oil on canvas
Dimensions	95.5 cm (37.6 in) × 133 cm (52 in)
Location	Musee de Tesse
Identifiers	Joconde work ID: 07700000071
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Description

A nude woman lies on her side, apparently asleep, with her midsection partially covered by drapery. She is surrounded by the tools of an artists, such as a palette, drawing compass and brushes as well as the symbolic mask of imitation.[2] Analysis of x-rays revealed another image under the left arm - a bishop wearing a mitre.[3]

Provenance

It was first documented in the Popeliniere family, from whom it was acquired by the present owners in 1836.[4]

Attribution

It is one of multiple paintings done by Gentileschi with this theme, but the depiction in this particular painting is unusual, and scholars have debated the meaning and attribution. Bissell saw the depiction as too crude to be the work of Artemisia; he instead viewed it as an insult to the family of Orazio Gentileschi, her father, by the hand of his adversary Giovanni Baglione.[2] Christiansen however supported the attribution to Artemisia, relating it to other works of hers from the same period.[5]

References

Sources

• Bissell, R. Ward (1999). Artemisia Gentileschi and the Authority of Art : Critical Reading and Catalogue Raisonné. University Park, Pa.: Pennsylvania State University Press. ISBN 0-271-01787-2. OCLC 1008129172.
• Christiansen, Keith; Mann, Judith Walker (2001). Orazio and Artemisia Gentileschi. New York; New Haven: Metropolitan Museum of Art ; Yale University Press. ISBN 1588390063.

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