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Virgin and Child with a Rosary (It: Madonna e Bambino con rosario) is one of the last known paintings by the Italian artist Artemisia Gentileschi. Small in size and painted with oil on copper, it was completed in 1651. It was part of the Spanish royal collection and currently hangs in the El Escorial collection, in Spain.

Virgin and Child with a Rosary
Artist	Artemisia Gentileschi
Year	1651
Medium	Oil on copper
Dimensions	59.5 cm × 38.5 cm (23.4 in × 15.2 in)
Location	El Escorial

Provenance

The painting is first mentioned in a 1749 inventory at La Granja, and was transferred to its current location by 1857.[1] Recent research shows it was part of the collection of Maria Anna of Pfalz-Neuberg, second wife of Charles II, suggesting it may have been associated with Charles' father Philip IV.[2]

Attribution

There has been some debate as to whether the painting is actually by Gentileschi, despite her signature appearing across the edge of the table. One scholar pointed to the use of bright red, blue and green in the painting, which Gentileschi does not use elsewhere. However, the 2001 catalogue for the exhibition at the Metropolitan Museum of Art, suggests the painting is by Gentileschi, and that it draws heavily on early devotional pictures by the artist Guido Reni.[1] The stylistic shift may represent a deliberate tactic to appeal to the taste of the patron.[3]

References

Sources

• Christiansen, Keith; Mann, Judith Walker (2001). Orazio and Artemisia Gentileschi. New York; New Haven: Metropolitan Museum of Art ; Yale University Press. ISBN 1588390063.
• Locker, Jesse (2015). Artemisia Gentileschi : the Language of Painting. New Haven: Yale University Press. ISBN 9780300185119.

На других языках

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- [en] Virgin and Child with a Rosary

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[it] Madonna col Bambino e un rosario

La Madonna col Bambino e un rosario o Madonna del Rosario è un dipinto a olio su rame (58 x 50 cm) di Artemisia Gentileschi realizzato circa nel 1650-1651 e conservato nella Casita del Principe a San Lorenzo de El Escorial in Spagna. Probabilmente nel XVIII secolo, è stato ampliato fissandolo su una tavola di 72 x 52 cm estendendo la pittura della tenda di sfondo[1].

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