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The portrait Equestrian Portrait of Elisabeth of France was painted by Velázquez of Elisabeth of France circa 1635, originally for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid. It has been in the Prado since the gallery's institution in 1819.

This article may be expanded with text translated from the corresponding article in Spanish. (September 2010) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 5,028 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:La reina Isabel de Francia a caballo]]; see its history for attribution. You should also add the template {{Translated|es|La reina Isabel de Francia a caballo}} to the talk page. For more guidance, see Wikipedia:Translation.

Equestrian Portrait of Elisabeth of France
Artist	Diego Velázquez
Year	c. 1635
Medium	Oil on canvas
Dimensions	301 cm × 314 cm (119 in × 124 in)
Location	Museo del Prado, Madrid

History of the work

Velázquez had been commissioned to paint a series of five equestrian portraits of the royal family

• Felipe III and his wife Queen Margaret of Austria,
• Felipe IV, his wife Elizabeth of France and their son Baltazar Carlos. This last was smaller than those of the other family members, as it was intended to be hung on a door and therefore viewed from a lower perspective.

This work of Velázquez had significant input from members of his workshop. The technical studies conducted in the Prado Museum under the direction of Carmen Garrido indicated that the five equestrian portraits were painted at the same time and with the same preparation. The idea that Velázquez retouched a painting by an earlier painter to add detail to the queen's clothing and the trappings of the horse has received support from a number of critics; X-rays reveal a painting under the visible one, in which the horse's girth is visible and the queen's clothing is simpler than the existing one. Later, when Velázquez was finishing details in the queen's head and the horse's legs, a more patient painter filled in the meticulous details of the embroidery, thus obscuring details of the painting previously laid down.

Description of the work

The queen is depicted in profile, wearing a jacket with embroidered stars and a gold-embroidered skirt with her arms and initials. The horse is depicted as an overo with a long mane and forelock falling over its face, doing the passage gait; it is facing left in order to provide symmetry with the portrait of Elisabeth's husband, in which work he is facing right.

На других языках

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- [en] Equestrian Portrait of Elisabeth of France

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[es] La reina Isabel de Francia a caballo

El retrato de La reina Isabel de Francia a caballo fue pintado por Velázquez entre 1628-36 y se conserva en el Museo del Prado de Madrid (España) desde la creación de la pinacoteca en 1819.

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[fr] La Reine Isabelle de France à cheval

Le portrait de la Reine Isabelle de Bourbon à Cheval est une huile sur toile de Diego Velázquez peinte en 1628-1636 et conservée au Musée du Prado depuis sa création en 1819. C'est un portrait équestre de la reine Isabelle de Bourbon.

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