art.wikisort.org - PaintingThe Head of Christ is a 1648 oil-on-panel painting by the Dutch artist Rembrandt. It is now in the Gemäldegalerie in Berlin.[1]
Description
There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam). These heads in varying poses were possibly created as devotional objects. Today about a dozen are known, but only this one is considered by the RRP to be by the master himself. It is one of the paintings that were in the large Rodolphe Kann collection purchased as a whole by Joseph Duveen and came into the collection via a bequest by Herr and Frau Martin Bromberg of Hamburg.
This painting was documented by Hofstede de Groot in 1914, who wrote:
158. HEAD OF CHRIST. B.-HdG. 413. Turned three-quarters left. The head is slightly inclined. Long dark curls and a short full beard. In a reddish-brown cloak. Half-length, without the hands, about half life size. Painted about 1656-58. Oak panel, 10 inches by 8 inches. Mentioned by Michel, pp. 451, 443, 563 [270, 343, 435]. Sale. John Henderson, London, February 13, 1882. In the collection of Rodolphe Kann, Paris, 1907 catalogue, p. 72; bought as a whole in 1907 by the dealers Duveen Brothers. In the Kaiser Friedrich Museum, Berlin, 1911 catalogue, No. 811C; presented by Herr and Frau Martin Bromberg of Hamburg.[2]
During WWII, the painting was stored in a vault along with most of the paintings that were in the Kaiser Friedrich Museum located at what is today the Bode Museum. After the war, it was recovered and returned to West-Berlin, which is how it came to be in the collection of the Gemäldegalerie.[3] In 1959, it was stolen, but recovered 2 years later.[3]
The painting was included in most Rembrandt catalogs of the 20th-century, only recently being its exclusive status as the only surviving copy by the master's hand in the RRP catalog. It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, cat. no. 35.
Bredius
DIA
Hyde collection
Fogg
Brigham Young University
References
Bibliography
- Christian Tümpel: Rembrandt. Rowohlt Taschenbuch Verlag, Reinbek 2006, ISBN 3-499-50691-2.
- Kristin Bahre u. a. (ed.): Rembrandt. Genie auf der Suche. DuMont Literatur und Kunst, Köln 2006, ISBN 3-8321-7694-2
- Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
External links
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Lists of drawings, etchings, paintings, self-portraits |
Paintings | |
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Portraits | |
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Self-portraits | |
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Drawings and prints (including etchings) |
- Joseph and Potiphar's Wife (1634)
- The Artist and his Model (1639)
- The Death of the Virgin (1639)
- The Mill (1641)
- The Three Trees (1643)
- The State Bed (1646)
- Portrait of Jan Six (1647)
- Hundred Guilder Print (1647–1649)
- Conus Marmoreus (1650)
- Goldweigher's Field (1651)
- Doctor Fautrieus (1652)
- Descent from the Cross by Torchlight (1652)
- The Three Crosses (1653)
- Virgin and Child with a Cat (1654)
- Christ Presented to the People (1655)
- Mughal drawings
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General topics |
- Dutch Golden Age painting
- Dutch School (painting)
- Netherlandish art
- Netherlandish Baroque art
- Flemish Baroque art
- Art of the Dutch Golden Age
- Rembrandt lighting
- Tronie
- Surface tone
- Old master print
- Naturalism
- Utrecht Caravaggism
- Caravaggisti
- Chiaroscuro
- Etching revival
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Rembrandt studies |
- Connoisseurs and scholars
- Rembrandt Research Project
- Rembrandt catalogues raisonnés
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Related people |
- Pupils and followers
- Saskia van Uylenburgh (wife, model)
- Titus van Rijn (son, model)
- Geertje Dircx (mistress, model)
- Hendrickje Stoffels (mistress, model)
- Jacob Isaacsz. van Swanenburg (teacher)
- Pieter Lastman (teacher)
- Jan Lievens (colleague and friend)
- Hendrick van Uylenburgh (art dealer, patron)
- Jan Six (art collector, patron)
- Henry Clay Frick (art collector)
- Thomas Kaplan (art collector)
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Notable collections and exhibitions | |
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Works about | |
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Named after | |
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- 1 Contested
- 2 Stolen in 1990
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Authority control: Art research institutes  | |
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На других языках
[de] Ein Christus nach dem Leben
Das Bild Ein Christus nach dem Leben, auch Christuskopf genannt, wurde um 1648 von Rembrandt van Rijn gemalt. Es ist 25 Zentimeter hoch und 21,5 Zentimeter breit und auf Eichenholz aufgetragen. Rembrandt stellte Jesus nach dem Vorbild eines jüdischen Modells dar. Damit markiert dieses Gemälde einen Wendepunkt in Rembrandts Sicht auf das Judentum und die Juden. Es befindet sich heute in der Berliner Gemäldegalerie.
- [en] Head of Christ (Rembrandt)
[fr] Tête du Christ (Rembrandt)
Tête du Christ est un tableau peint en 1648 par Rembrandt et conservé à la Gemäldegalerie de Berlin[1]. Il s'agit d'une huile sur panneau de chêne (25 × 21,7 cm).
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