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Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.

Narcissus
Italian: Narciso
Narcissus at the Source
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ArtistCaravaggio
Year1597–1599
MediumOil on canvas
Dimensions110 cm × 92 cm (43 in × 36 in)
LocationGalleria Nazionale d'Arte Antica
Coordinates41°54′12.65″N 12°29′24.75″E

The painting was originally attributed to Caravaggio by Roberto Longhi in 1916.[1] This is one of only two known Caravaggios on a theme from Classical mythology, although this is due more to the accidents of survival than the artist's oeuvre. Narcissus, according to the poet Ovid in his Metamorphoses, is a handsome youth who falls in love with his own reflection. Unable to tear himself away, he dies of his passion, and even as he crosses the Styx continues to gaze at his reflection (Metamorphoses 3:339–510).[2]


Background


The story of Narcissus was often referenced or retold in literature, for example, by Dante (Paradiso 3.18–19) and Petrarch (Canzoniere 45–46).[2] The story was well known in the circles of such collectors in which Caravaggio was moving in this period, such as those of Cardinal Francesco Maria del Monte and the banker Vincenzo Giustiniani. Caravaggio's friend, the poet Giambattista Marino, wrote a description of Narcissus.[2]

The story of Narcissus was particularly appealing to artists according to the Renaissance theorist Leon Battista Alberti: "the inventor of painting ... was Narcissus ... What is painting but the act of embracing by means of art the surface of the pool?"[3]

Caravaggio painted an adolescent page wearing an elegant brocade doublet, leaning with both hands over the water, as he gazes at this own distorted reflection.[2] The painting conveys an air of brooding melancholy: the figure of Narcissus is locked in a circle with his reflection, surrounded by darkness, so that the only reality is inside this self-regarding loop. The 16th century literary critic Tommaso Stigliani explained the contemporary thinking that the myth of Narcissus "clearly demonstrates the unhappy end of those who love their things too much."[4]


See also



References


  1. Metropolitan Museum of Art (1985). The Age of Caravaggio. New York: Metropolitan Museum of Art. p. 265. ISBN 9780870993800.
  2. Posèq, Avigdor (1991). "The Allegorical Content of Caravaggio's "Narcissus"". Notes in the History of Art. 10 (3): 21–31. doi:10.1086/sou.10.3.23203015. JSTOR 23203015. S2CID 192981652.
  3. Saslow, James M. (2012). "The Desiring Eye: Gender, Sexuality, and the Visual Arts". In Bohn, Babette; Saslow, James M. (eds.). A Companion to Renaissance and Baroque Art. Wiley-Blackwell. ISBN 9781118391518. Retrieved 20 August 2017.
  4. "Archived copy". Archived from the original on 2008-02-28. Retrieved 2010-06-30.{{cite web}}: CS1 maint: archived copy as title (link)



На других языках


- [en] Narcissus (Caravaggio)

[es] Narciso (Caravaggio)

Narciso es el último cuadro de la segunda etapa de Caravaggio, que data de 1597-1599 y se conserva en Roma. Retrata el mito de Narciso.[1]

[fr] Narcisse (Le Caravage)

Narcisse est un tableau généralement attribué au peintre milanais Michelangelo Merisi, dit Caravage, et probablement peint vers 1598-1599, désormais conservé à la galerie nationale d'Art ancien de Rome, au palais Barberini. Il représente de manière très dépouillée le personnage mythologique de Narcisse, non pas traité à l'antique mais dans une tenue contemporaine, qui se mire dans l'eau et tombe amoureux de sa propre image.

[it] Narciso (Caravaggio)

Narciso è un dipinto a olio su tela (112x92) per primo attribuito a Caravaggio dallo storico dell'arte Roberto Longhi, sebbene un dibattito ne abbia proposto l'attribuzione a pittori quali lo Spadarino, Orazio Gentileschi, Niccolò Tornioli e altri. Fu dipinto all'incirca tra il 1597 e il 1599[1].

[ru] Нарцисс (Караваджо)

«Нарцисс» (итал. Narciso) — картина итальянского художника Караваджо, написанная им в 1597—1599 годах. Ныне она хранится в Национальной галерее старинного искусства в Риме.



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