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Nativity is a panel painting of c. 1420 by the Early Netherlandish painter Robert Campin, now in the Musée des Beaux-Arts de Dijon, France. As often, the moment shown is the Adoration of the Shepherds. Harshly realistic, the Child Jesus and his parents are shown in poverty, the figures crowded in a small structure, with broken-down walls, and a thatched roof with a hole, the single space shared with animals. In this Campin abandons the traditional narrative.[1]

This article may be expanded with text translated from the corresponding article in French. (November 2019) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 4,946 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:La Nativité (Robert Campin)]]; see its history for attribution. You should also add the template {{Translated|fr|La Nativité (Robert Campin)}} to the talk page. For more guidance, see Wikipedia:Translation.

The Virgin is presented as in her teens, Joseph as a much older man. Four angels hover above them, holding gifts. Two of them hold a banner with lettering addressed to midwives in the lower portion of the panel; it reads "Tangue puerum et sanabaris" (touch the child and you shall be healed). From the little record of Campin, he was a significant pioneer and innovator of painting, and here his appeal is to the poverty of the Holy Family. His skill with oil paint is reflected in the positioning of the central figures in the extreme foreground, giving the panel a very tight and focused feel, despite the highly detailed background details and landscape.[2] The hut is slanted compared to the outline of the frame, a device later adopted by Rogier van der Weyden in his Bladelin Altarpiece.[3]

Campin places a landscape complete with a view of a lake beyond of the stable, just above the two midwives. Reinforcing the idea of redemption, Salome is given a prominent position, facing outwards towards the viewer in the mid foreground.[2]

Notes

Sources

External links

• At the Musée des Beaux-Arts de Dijon (fr)

На других языках

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- [en] Nativity (Campin)

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[es] Natividad (Robert Campin)

La Natividad es una pintura sobre tabla de hacia 1420 del artista primitivo flamenco Robert Campin. Exactamente, el momento mostrado es la Adoración de los pastores, que se acercan con curiosidad y humildad. La pintura es severamente realista; el Niño Jesús y sus padres son mostrados en la pobreza; las figuras se amontonan dentro de un espacio compartido con animales, un establo ruinoso de madera con techo de paja y paredes rotas. En esto Campin abandona la narrativa tradicional, en que las escenas de nacimiento se situaban en una cueva con pesebre.[1]

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[fr] La Nativité (Robert Campin)

La Nativité est l'une des œuvres les plus célèbres du peintre flamand Robert Campin, également connu sous le nom de « Maître de Flémalle ».

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[it] Natività (Campion)

La Natività è un dipinto del pittore fiammingo Robert Campin realizzato nel 1420-1425 e conservato nel Museo delle belle arti di Digione in Francia.

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