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The Fall of the Rebel Angels is an oil-on-panel painting of 1562 by the Netherlandish Renaissance artist, Pieter Bruegel the Elder. The painting is 117cm x 162cm (46 inches by 64 inches) and is now in the Royal Museums of Fine Arts of Belgium in Brussels, Belgium. The Fall of Rebel Angels depicts Lucifer along with the other fallen angels that have been banished from heaven. Angels are falling from the sun in a stacked manner along with ungodly creatures that Bruegel created.[2] This piece by Bruegel was previously thought to be by Hieronymus Bosch. Bruegel was influenced by a variety of artists such as Albrecht Dürer, Frans Floris I, and Hieronymus Bosch. He also got ideas for the creation of his creatures in his previous works. [3]

The Fall of the Rebel Angels
Artist	Pieter Bruegel the Elder
Year	1562[1]
Type	Oil on panel
Dimensions	117 cm × 162 cm (46 in × 64 in)
Location	Royal Museums of Fine Arts of Belgium, Brussels

Description

Painted in 1562, Bruegel's depiction of this subject of Lucifer falling with his fallen angels is taken from a passage from Revelation 12, and reveals the artist's profound debt to Hieronymus Bosch. This is shown through the grotesque, ugly or distorted, figures painted as half-human and half-apocalyptic creatures.[4]

Lucifer was designed to be a perfect angel. He fell from heaven because of his pride and rebellion against God's divine plan, which was to appoint Jesus as the people's savior.[5] Lucifer coerced one-third of the angels to follow his lead in the rebellion and to assist in appointing him to be the new "God."[5] The sin of pride caused the fall of Lucifer and his companions and resulted in the "war in heaven." The archangel Michael was given the duty to drive Lucifer and the fallen angels out of heaven.[5] The conflict of good and evil as well as vice and virtue are constant recurring themes throughout Bruegel's work.[6]

The composition with a central figure placed among many smaller figures was favored by Bruegel during this time. This is not only shown through The Fall of Rebel Angels but through art pieces such as Dulle Griet and in the series of engravings of the Vices and the Virtues completed for the Antwerp publisher Hieronymus Cock. [7]

The painting is a split landscape with the top portion being heaven and the bottom portion representing hell. Heaven is illustrated with light blues, vibrant colors, and surrounded by flying angels, while hell is much darker than heaven. This is illustrated through dark tones and demonic creatures to set the distinct difference between the two. The entire space is filled and little absent space is present.  

Figures

The central figure is the archangel Michael depicted with a sword. He is in triumph as he defeats the fallen angels and demonic creatures.[2] Above the archangel, there are figures coming out of what looks like a hole in the sky which is the sun.[3] The figures represent Lucifer, the fallen angels, and demonic creatures. There are also an abundance of exotic animals alongside deformed and mutated figures. There are two other prominent figures on either side of archangel Michael who are dressed in all white to contrast the dark colors underneath them.[3] These figures are good angels who are assisting in the fight against the rebellious angels. In the upper portion in both corners, there are angelic musicians playing their instruments as if the war between good and evil has already been played out. The action of playing the trumpets foreshadow a successful triumph.[2]

Attribution Debate

Due to not finding a signature on the painting, the Royal Museum of Fine Arts first inherited the painting with the idea that the artist of the painting was Hieronymus Bosch. The signature was found under the frame in 1900 with the name of Pieter Bruegel on it. With this finding, they assumed the painting came from Pieter the Younger.[4] Later, after finding a date on the painting, it was clarified that the artist was not Pieter the Younger but Pieter Bruegel the Elder.[2]

Influences

Bruegel had multiple inspirations for the creation of The Fall of Rebel Angels, including Albrecht Dürer, Frans Floris I, Hieronymus Bosch and past works of Bruegel himself. Dürer's woodcut series of the Apocalypse, specifically Saint Michael Fighting the Dragon, is theorized to provide an insight on the position of the archangel Michael as a central figure standing on the dragon with a sword to the body of the dragon.[3] Frans Floris I has created his own Fall of Rebel Angels consisting of monster heads on human nude bodies which called for a comparison between his and Bruegel's work.[4] Bruegel made his own images with the same monstrous component of different heads on different figures.[3] Hieronymus Bosch was the main influencer to Bruegel's work. Bosch's The Garden of Earthly Delights triptych portrays hybrid creatures and explored the idea of vices and virtues as well as good vs evil.[3] The hybrid creatures are depicted on the far right side of the triptych with the hellish dark scenery. Bosch's The Last Judgement has also influenced Bruegel's work.[4]

On the far left part of the triptych, Bosch has his version of the fallen rebel angels falling from the sky. Bruegel enlarges the scene and has the subject of the fallen angels as his main focus.[4] Ultimately, Bruegel was known as a "second Bosch" or an "imitator" of Bosch because of the similar techniques and concepts they used.[3] Both Bosch and Bruegel first sketched with a brush, then applied a thin layer of pigment, and later continued to add layers.[4] Their techniques were so similar that in many cases, it was hard to differentiate who painted a piece.[4] The rivalry of Bosch and Bruegel was evident, especially when Bruegel entered competitions in Antwerp against Bosch.[4] The drawing done by Bruegel in 1558 of The Last Judgement was the source for the angelic musicians in The Fall of Rebel Angels.[3] The angel figures with the trumpets in this painting are thought to be siblings to the angels in the drawing.[3] The Mad Meg(Dulle Griet) by Bruegel was created in the same year with the same concept of distorted hellish figures.[3] Towards the bottom there is a fish with a human leg coming out of it which is similar to the figure with a human head on an animals body in The Fall of Rebel Angels.[3]

Interpretation

There has been a comparison between this art work and cabinets of curiosities. Because this painting is so full and depicted with natural and artificial objects, Tine Luk Meganck states this is Bruegel's own cabinet of curiosity portrayed as an art piece.[2] Bruegel utilizes natural objects such as a butterfly, fish, and other known creatures. He also uses artificial objects such as the instruments, armor, and weapons. The incorporation of both natural and artificial objects reflect his stance on how he feels about the new found foreign land of the Americas.[2]

In popular culture

A reproduction of the painting appears at the beginning of the music video for the Korean version of the song Blood Sweat & Tears by South Korean group BTS. As the group somewhat cheerfully walks through a museum, member Jin stops in front of the painting and observes it briefly with a more serious demeanor, at which point the song begins. [8]

The painting was also featured in a collaboration between Supreme and Undercover, a Japanese clothing brand by Jun Takahashi. The collection released during the Fall/Winter 2016 season and featured the painting on an all-over-print jacket and a sticker. [9]

Damiano David the lead singer of Italian rock band Måneskin has the piece tattooed on his back.

Gallery

• Details
• 
  A Good Angel Fighting the Rebels
• 
  The Fallen Angels
• 
  A Good Angel Fighting the Rebels
• 
  Monstrous Demons
• 
  The Archangel Michael
• 
  Angelic Musicians
• 
  Half-Human and Half-Animal Monsters

Notes

References

• “Bible Gateway Passage: Revelation 12 - New International Version.” Bible Gateway.
• Koerner, Joseph Leo, Bosch and Bruegel from Enemy Painting to Everyday Life. 57. Vol. 57. Princeton, Washington: Princeton University Press, 2016.
• Kosloski, Phillip. "Why Did Satan Rebel Against God?". Aleteia.
• Meganck, Tine Luk. Pieter Bruegel the Elder. Fall of Rebel Angels. Art, Knowledge, and Politics on the Eve of the Dutch Revolt. Royal Museums of Fine Arts of Belgium, 2014.
• Orenstein, Nadine. Metropolitan Museum of Art, and Museum Boijmans Van Beuningen. Pieter Bruegel the Elder: Drawings and Prints. New York : New Haven: Metropolitan Museum of Art; Yale University Press, 2001.
• Seidel, Max, Roger H. Marijnissen, Pieter Bruegel, and Max Seidel. Bruegel. Stuttgart: Belser, 1969.
• Stechow, Wolfgang. Pieter Bruegel the Elder. New York: Harry N. Abrams, 1990.

External links

• The Fall at the Royal Museums of Fine Arts of Belgium (in French)
• The Fall of the Rebel Angels Online Exhibition

На других языках

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[de] Der Sturz der rebellierenden Engel

Der Sturz der rebellierenden Engel (auch Sturz der gefallenen Engel oder Engelssturz genannt) ist ein 1562 von Pieter Bruegel dem Älteren gefertigtes Ölgemälde des biblischen Höllensturz-Themas. Das Bild zeigt die Engel Gottes in heller Kleidung und in schimmernden Rüstungen im Kampf gegen ein Gewimmel von dämonischen Wesen mit grotesk verzerrten Gesichtern. Mehrere Engel tragen blutverschmierte Schwerter oder Lanzen, andere blasen Posaunen. Die Ungeheuer sind dargestellt als Chimären mit realistisch wiedergegebenen Charakteristika von Salamandern, Lurchen, Fischen oder Insekten.

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- [en] The Fall of the Rebel Angels

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[fr] La Chute des anges rebelles

La Chute des anges rebelles est une peinture à l'huile du peintre Pieter Brueghel l'Ancien datée de 1562 et exposée aux musées royaux des beaux-arts de Belgique à Bruxelles.

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[it] Caduta degli angeli ribelli

La Caduta degli angeli ribelli è un dipinto a olio su tavola (117x162 cm) di Pieter Bruegel il Vecchio, datato 1562 e conservato nel Museo reale delle belle arti del Belgio di Bruxelles. È firmato "M.D.LXI BRVEGEL".

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[ru] Падение мятежных ангелов (картина)

Падение мятежных ангелов — картина фламандского живописца Питера Брейгеля Старшего, написанная в 1562 году. Картина хранится и экспонируется в Брюссельских Королевских музеях изящных искусств.

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