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The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder. The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year. The painting is in the collection of the Kunsthistorisches Museum in Vienna, Austria. This scene is set in the depths of winter during December/January.

The Hunters in the Snow
ArtistPieter Bruegel the Elder
Year1565
TypeOil on panel
Dimensions117 cm × 162 cm (46 in × 63+34 in)
LocationKunsthistorisches Museum, Vienna

Background and origins


The Hunters in the Snow, and the series to which it belongs, are in the medieval and early Renaissance tradition of the Labours of the Months: depictions of various rural activities and work understood by a spectator in Breugel's time as representing the different months or times of the year.


Description and composition


The painting shows a wintry scene in which three hunters are returning from an expedition accompanied by their dogs. By appearances the outing was not successful; the hunters appear to trudge wearily, and the dogs appear downtrodden and miserable. One man carries the "meager corpse of a fox" illustrating the paucity of the hunt. In front of the hunters in the snow are the footprints of a rabbit or hare—which has escaped or been missed by the hunters. The overall visual impression is one of a calm, cold, overcast day; the colors are muted whites and grays, the trees are bare of leaves, and wood smoke hangs in the air. Several adults and a child prepare food at an inn with an outside fire. Of interest are the jagged mountain peaks which do not exist in Belgium or Holland.

The painting prominently depicts crows sitting in the denuded trees and a magpie flies in the upper centre of the scene. Bruegel sometimes uses these two species of birds to indicate an ill-omen as in Dutch culture magpies are associated with the Devil.[1]

The landscape itself is a flat-bottomed valley (a river meanders through it) with jagged peaks visible on the far side. A watermill is seen with its wheel frozen stiff. In the distance, figures ice skate, play bandy (before it became an organized sport), and play eisstock[2] (similar to curling) on a frozen lake; they are rendered as silhouettes.


Interpretation and reception


External video
Pieter Bruegel the Elder, Hunters in the Snow (Winter), 1565, Smarthistory

The 1560s was a time of religious revolution in the Netherlands, and Bruegel (and possibly his patron) may be attempting to portray an ideal of what country life used to be or what they wish it to be.[original research?]

Writing in the "opinion" section of Nature, art historian Martin Kemp points out that Old Masters are popular subjects for Christmas cards and states that "probably no 'secular' subject is more popular than ... Hunters in the Snow".[3]

The painting is the subject of modernist poet William Carlos Williams's ekphrastic poem "The Hunter in The Snow".[4] Hunters in the Snow is used extensively in Russian director Andrei Tarkovsky's films Solaris (1972) and The Mirror (1974), and in Lars von Trier's 2011 film Melancholia. It appears also in Alain Tanner's film Dans la ville blanche (1983). It was an inspiration for Roy Andersson's 2014 film A Pigeon Sat on a Branch Reflecting on Existence, is the basis for the first frame of Abbas Kiarostami's 24 Frames (2017), and was a topic of the 1980 television series 100 Great Paintings.

The surviving Months of the Year cycle are:


References


  1. Kaschek, Bertram; Buskirk, Jessica; Müller, Jürgen, eds. (2018). Pieter Bruegel the Elder and Religion. Leiden and Boston: Brill. p. 265. ISBN 9789004367579. Retrieved 2 February 2021.
  2. Wolf, Manfred (2018-10-20). "Pieter Bruegel - Meister der Beobachtung". Ober Österreich Nachrichten (in German). Retrieved 2022-10-24.
  3. Kemp, Martin (December 2008). "Looking at the face of the Earth". Nature. 456 (18): 876. Bibcode:2008Natur.456..876K. doi:10.1038/456876a.
  4. Williams, William Carlos. "The Hunter in the Snow". Emory University. Retrieved 13 December 2018.

Further reading



На других языках


[de] Die Jäger im Schnee

Die Jäger im Schnee ist ein 1565 entstandenes 117 × 162 cm großes Jahreszeitenbild von Pieter Bruegel dem Älteren und das erste bekannte europäische Großgemälde mit Schnee. Es gehört zur Sammlung des Wiener Kunsthistorischen Museums und ist auch bekannt als Heimkehr der Jäger (Saal 10, Inv. Nr. GG 1838).
- [en] The Hunters in the Snow

[es] Los cazadores en la nieve

Los cazadores en la nieve (en neerlandés, Jagers in de Sneeuw) es una obra del pintor Pieter Brueghel el Viejo, perteneciente al ciclo de seis obras sobre los «Meses» del año. Representa el invierno o los meses de diciembre y enero. Es un óleo sobre tabla, pintado en 1565. Mide 117 cm de alto y 162 cm de ancho. Se exhibe actualmente en el Museo de Historia del Arte de Viena (Austria), con el título alemán Jäger im Schnee.

[fr] Chasseurs dans la neige

Les Chasseurs dans la neige (en néerlandais : Jagers in de Sneeuw) est un tableau de Pieter Brueghel l'Ancien réalisé en 1565. C'est un exemple de la Renaissance flamande. L'œuvre est conservée au Kunsthistorisches Museum de Vienne, en Autriche. Le tableau mesure 117 cm sur 162 cm.

[it] Cacciatori nella neve

I Cacciatori nella neve è un dipinto a olio su tavola (117x162 cm) di Pieter Bruegel il Vecchio, datato 1565 e conservato nel Kunsthistorisches Museum di Vienna. È firmato "BRVEGEL M.D.LXV."

[ru] Охотники на снегу

«Охотники на снегу» (нидерл. Jagers in de Sneeuw) — картина Питера Брейгеля Старшего. Написана маслом по дереву в 1565 году. Является частью цикла из шести картин, изображавших времена года (пять из них, включая «Охотников на снегу», сохранились). Картина находится в собрании Музея истории искусств в Вене.



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