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Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by Dutch Golden Age painter Johannes Vermeer, now in the National Gallery of Art in Washington, DC.

A Woman Holding a Balance
ArtistJohannes Vermeer
Yearc. 1662–1663
MediumOil on canvas
MovementDutch Golden Age painting
Dimensions42.5 cm × 38 cm (16.7 in × 15 in)
LocationNational Gallery of Art, Washington, D.C.

At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness.


Theme


In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands.[1] The woman may have been modeled on Vermeer's wife, Catharina Vermeer.[2]

According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously "interpreted as a vanitas painting, as a representation of divine truth or justice, as a religious meditative aid, and as an incitement to lead a balanced, thoughtful life."[3] Some viewers have imagined the woman is weighing her valuables, while others compare her actions to Christ's, reading parable into the pearls.[1] Some art critics, including John Michael Montias who describes her as "symbolically weighing unborn souls", have seen the woman as a figure of Mary.[4][5] To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth,[6] with the mirror on the wall reinforcing the vanity of her pursuits.[7] Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge.[8]


History


Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty.[3][9] The painting was among the large collection of Vermeer works sold on May 16, 1696 in Amsterdam from the estate of Jacob Dissius (1653–1695).[10] It received 155 guilders, considerably above the prices fetched at the time for his Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177).[11]


Painting materials


The first pigment analysis of this painting by Hermann Kühn[12] revealed the use of ultramarine for the blue tablecloth and lead white for the grey wall. The pigment in the bright yellow curtain was identified as Indian yellow. The subsequent technical investigations of the painting by Robert L. Feller (1974) and M.E. Gifford (1994)[13] have shown that the painting had been extended by approximately five centimetres on every side at a much later date. The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. The proper pigment of the yellow curtain is lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex.[14]


Notes


  1. Huerta (2005), p. 54
  2. Walther & Suckale (2002), p. 332.
  3. Huerta (2005), p. 85.
  4. Montias (1991), p. 191.
  5. Kenner (2006), p. 56.
  6. Roskill (1989), p. 148.
  7. Carroll & Stewart (2003), p. 61.
  8. Zucker, Steven; Harris, Beth (December 11, 2015). "Johannes Vermeer, Woman Holding a Balance". Smarthistory.{{cite web}}: CS1 maint: url-status (link)
  9. Montias (1991), p. 162.
  10. Montias (1991), p. 182, 256.
  11. Montias (1991), p. 182.
  12. Kühn, Hermann (1968). "A Study of the Pigments and Grounds Used by Jan Vermeer". Reports and Studies in the History of Art. National Gallery of Art. 2: 154–202. JSTOR 42618099.
  13. Gifford, E. Melanie (1998). "Painting Light: Recent Observations on Vermeer's Technique". Studies in the History of Art. National Gallery of Art. 55: 185–199. JSTOR 42622607.
  14. "Johannes Vermeer, 'Woman Holding a Balance'". ColourLex.

References



Further reading





На других языках


[de] Frau mit Waage

Frau mit Waage, auch Die Perlenwägerin genannt, ist ein von Jan Vermeer im Zeitraum 1662 bis 1664 geschaffenes Ölgemälde. Es zeigt eine hochschwangere Frau, die konzentriert mit einer Waage hantiert. Das Gemälde befindet sich heute in der National Gallery of Art in Washington D.C.
- [en] Woman Holding a Balance

[es] La tasadora de perlas

La tasadora de perlas (Mujer con balanza) (en neerlandés, Vrouw met Weegschaal), es una obra del pintor holandés Johannes Vermeer. Está realizada al óleo sobre lienzo. Se calcula que fue pintada hacia 1665. Mide 42 cm de alto y 35,5 cm de ancho. Se conserva en la Galería Nacional de Arte de Washington D. C., Estados Unidos.

[fr] La Femme à la balance

La Femme à la balance, autrefois également La Peseuse de perles, ou encore La Peseuse d'or, est une huile sur toile (42,5 × 38 cm) du peintre néerlandais du Siècle d'or Johannes Vermeer, exécutée entre 1662 et 1665, et actuellement conservée à la National Gallery of Art de Washington DC.

[it] Pesatrice di perle

La Pesatrice di perle (o Donna con una bilancia) è un dipinto a olio su tela (40,3x35,6 cm) di Jan Vermeer, databile al 1664 e conservato nella National Gallery of Art di Washington.

[ru] Женщина, держащая весы

«Женщина, держащая весы» — картина нидерландского художника Яна Вермеера, написанная в 1662—1663 годах. Трактовки темы и символики картины значительно расходятся — женщина на полотне считалась как символом святости, так и приземлённости.



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