Charles Cottet (12 July 1863 – 20 September 1925) was a French painter, born at Le Puy-en-Velay and died in Paris. A famed post-impressionist, Cottet is known for his dark, evocative painting of rural Brittany and seascapes. He led a school of painters known as the Bande noire or "Nubians" group (for the sombre palette they used, in contrast to the brighter Impressionist and Postimpressionist paintings), and was friends with such artists as Auguste Rodin.[1]
Au pays de la mer. Douleur, 1908–09 Petit village au pied de la falaise, 1905; Montagne, 1900–10
Movement
Post-Impressionism
1908–09 Au pays de la mer. Douleur also called Les victimes de la mer, the Musée d'Orsay.1903 Femmes de Plougastel au Pardon de Sainte-Anne-La-Palud.1892 Rayons du soir
Biography
Cottet studied at the École des Beaux-Arts, and under Puvis de Chavannes and Roll, while also attending the Académie Julian (where fellow students formed Les Nabis school of painting, with which he was later associated). He travelled and painted in Egypt, Italy, and on Lake Geneva, but he made his name with his sombre and gloomy, firmly designed, severe and impressive scenes of life on the Brittany coast.[2][3][4]
Cottet exhibited at the Salon of 1889, but on a trip to Brittany in 1886 he had found his true calling. For the next twenty years he painted scenes of rural and harbor life, portraying a culture Parisians still found exotic. He is especially noted for his dark seascapes of Breton harbors at dawn, and evocative scenes from the lives of Breton fishermen.[5]
One or more of the preceding sentencesincorporates text from a publication now in the public domain:Chisholm, Hugh, ed. (1911). "Cottet, Charles". Encyclopædia Britannica. Vol.7 (11thed.). Cambridge University Press. p.253.
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