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Georges Henri Rouault (French: [ʒɔʁʒ ʁuo]; 27 May 1871, Paris 13 February 1958) was a French painter, draughtsman and print artist, whose work is often associated with Fauvism and Expressionism.

Georges Rouault (c. 1920)
Georges Rouault (c. 1920)
Georges Rouault, 1905, Jeu de massacre (Slaughter), (Forains, Cabotins, Pitres), (La noce à Nini patte en l'air), watercolor, gouache, India ink and pastel on paper, 53 x 67 cm, Centre Georges Pompidou, Paris
Georges Rouault, 1905, Jeu de massacre (Slaughter), (Forains, Cabotins, Pitres), (La noce à Nini patte en l'air), watercolor, gouache, India ink and pastel on paper, 53 x 67 cm, Centre Georges Pompidou, Paris

Childhood and education


Rouault was born in Paris into a poor family. He was born in a Parisian cellar after his family's home was destroyed in the Paris insurrection of 1871. His mother encouraged his love for the arts, and, in 1885, the fourteen-year-old Rouault embarked on an apprenticeship as a glass painter and restorer, which lasted until 1890. This early experience as a glass painter has been suggested as a likely source of the heavy black contouring and glowing colours, likened to leaded glass, which characterize Rouault's mature painting style. During his apprenticeship, he also attended evening classes at the School of Fine Arts, and in 1891, he entered the École des Beaux-Arts, the official art school of France. There he studied under Gustave Moreau and became his favorite student. Rouault's earliest works show a symbolism in the use of color that probably reflects Moreau's influence, and when Moreau died in 1898, Rouault was nominated as the curator of the Moreau Museum in Paris.


Early works


In 1891 Rouault painted The Way to Calvary. In 1894, Rouault won the Prix Chenavard.[1] From 1895 on, he took part in major public exhibitions, notably the Salon d'Automne (which he helped to found), where paintings with religious subjects, landscapes and still lifes were shown. Rouault met Henri Matisse, Albert Marquet, Henri Manguin, and Charles Camoin. These friendships brought him to the movement of Fauvism, the leader of which was considered to be Matisse. In 1905, he exhibited his paintings at the Salon d'Automne with the other Fauvists. While Matisse represented the reflective and rationalized aspects in the group, Rouault embodied a more spontaneous and instinctive style.

His use of stark contrasts and emotionality is credited to the influence of Vincent van Gogh. His characterizations of overemphasized grotesque personalities inspired the expressionist painters.


Expressionist works


In 1907, Rouault commenced a series of paintings dedicated to courts, clowns and prostitutes. These paintings are interpreted as moral and social criticism. He became attracted to Spiritualism and the dramatic existentialism of the philosopher Jacques Maritain, who remained a close friend for the rest of his life. After that, he dedicated himself to religious subjects. Human nature was always the focus of his interest. Rouault said: "A tree against the sky possesses the same interest, the same character, the same expression as the figure of a human."

In 1910, Rouault had his first works exhibited in the Druet Gallery. His works were studied by German artists from Dresden, who later formed the nucleus of expressionism.

From 1917, Rouault dedicated himself to painting. The Christian faith informed his work in his search for inspiration and marks him out as perhaps the most passionate Christian artist of the 20th century: first of all, in the theme of the passion of Christ. The face of Jesus and the cries of the women at the feet of the cross are symbols of the pain of the world, which for Rouault was relieved by belief in resurrection.

In 1929, Rouault created the designs for Sergei Diaghilev's ballet The Prodigal Son, with music by Sergei Prokofiev and choreography by George Balanchine.

In 1930, he also began to exhibit in foreign countries, mainly in London, New York and Chicago.

In 1937. Rouault painted The Old King, which is arguably his finest expressionist work.

He exhibited his cycle Miserere in 1948.

At the end of his life he burned 300 of his pictures (estimated to be worth today about more than half a billion francs). His reason for doing this was not profound, as he simply felt he would not live to finish them.[2]

Rouault died in Paris on February 13, 1958 at the age of 86.

Photograph of house in Beaumont sur Sarthe, Pays De La Loire, France, claiming Georges Rouault to have lived there
Photograph of house in Beaumont sur Sarthe, Pays De La Loire, France, claiming Georges Rouault to have lived there

Notes


  1. "Georges Rouault". Retrieved 25 July 2022.
  2. Rouault, text and notes by Joshua Kind, Tudor Publishing, New York, 1969.

References





На других языках


[de] Georges Rouault

Georges Rouault (* 27. Mai 1871 in Paris; † 13. Februar 1958 ebenda) war ein französischer Maler und Grafiker der Klassischen Moderne. Er lässt sich nur schwer einer bestimmten Schule oder einem Stil zuordnen, wird jedoch allgemein zu den Künstlern der École de Paris gerechnet. Als Mitbegründer des Salon d'Automne (1903) gehörte er anfangs zum Kreis der Fauves, ging jedoch bald eigene Wege und wurde zu einem der wichtigsten Vertreter moderner religiöser Malerei.
- [en] Georges Rouault

[es] Georges Rouault

Georges Henri Rouault (París, 27 de mayo de 1871–ibídem, 13 de febrero de 1958) fue un pintor francés fauvista y expresionista. Trabajó además la litografía y el aguafuerte.

[fr] Georges Rouault

Georges-Henri Rouault, né le 27 mai 1871 à Paris et mort le 13 février 1958 à Paris, est un peintre et graveur français.

[it] Georges Rouault

Georges Henri Rouault (Parigi, 27 maggio 1871 – Parigi, 13 febbraio 1958) è stato un pittore francese.

[ru] Руо, Жорж

Жорж Руо (фр. Georges Henri Rouault; 27 мая 1871, Париж — 13 февраля 1958, там же) — французский живописец и график, один из представителей французского фовизма и экспрессионизма.



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