art.wikisort.org - Artist

Henri Charles Manguin (French: [mɑ̃gɛ̃]; 23 March 1874 – 25 September 1949)[1] was a French painter, associated with the Fauves.

Henri-Charles Manguin
Henri and Jeanne Manguin, 1900
Born	(1874-03-23)23 March 1874 Paris, France
Died	25 September 1949(1949-09-25) (aged 75) Saint-Tropez, France
Nationality	French
Known for	Painter
Movement	Post-Impressionism, Fauvism

Manguin entered the École des Beaux-Arts to study[1] under Gustave Moreau, as did Henri Matisse and Charles Camoin with whom he became close friends. Like them, Manguin made copies of Renaissance art in the Louvre.

Manguin was greatly influenced by Impressionism, as is seen in his use of bright pastel hues.

He married in 1899 and made numerous portraits of his wife, Jeanne, and their family. In 1902, Manguin had his first exhibition at the Salon des Indépendants and Salon d'Automne. Many of his paintings were of Mediterranean landscapes; and would soon represent the height of his career as a Fauve artist.

1905 Indépendants

From 24 March to 30 April, the burgeoning of Fauvism was visible at the Indépendants, prior to the infamous Salon d'Automne exhibition of 1905 which historically marks the birth of the term Fauvism, after critic Louis Vauxcelles described their show of work with the phrase "Donatello chez les fauves" ("Donatello among the wild beasts"),[2] contrasting the paintings with a Renaissance-style sculpture that shared the room with them.[3]

At the 1905 Indépendants Manguin exhibited with Henri Matisse, Albert Marquet, Jean Puy, Othon Friesz, Raoul Dufy, Kees van Dongen, André Derain, Maurice de Vlaminck, Charles Camoin and Jean Metzinger.[4] This exhibition was reviewed by Vauxcelles in Gil Blas on 4, 18 and 23 March 1905.[5]

Matisse was in charge of the hanging committee, assisted by Manguin, Metzinger, Bonnard, Camoin, Laprade Luce, Marquet, Puy and Vallotton.[5]

From 1920

In 1920, Manguin exhibited at the Gallery Marcel Bernheim together with Ottmann, Tirman, Alexandre-Paul Canu and others.[6] He traveled extensively with Albert Marquet throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez, where he died soon after, on 25 September 1949.[1]

Gallery of paintings

• 
  Self-portrait (Autoportrait), 1905, oil on canvas, 55 x 46 cm, private collection
• 
  Baigneuse (Woman Bather), 1906, oil on canvas, Pushkin Museum
• 
  Le Rocher (La Naïade, Cavalière), 1906, oil on canvas, 71 × 89 cm, private collection
• 
  La Baigneuse, 1906, oil on canvas, 116.5 x 89.5 cm, Museum of Grenoble
• 
  Above the Oustalet (View over Grimand), 1920, oil on canvas, 65 x 81 cm, private collection

References

External links

Wikimedia Commons has media related to Henri Manguin.

• Henri Manguin, Thyssen-Bornemisza Museum, Madrid
• Henri Manguin, biography, Gallery Fleury
• Henri Manguin, Web Gallery of Impressionists
• Henri Manguin, Artcyclopedia

На других языках

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[de] Henri Manguin

Henri Manguin (* 23. März 1874 in Paris; † 25. September 1949 in Saint-Tropez) war ein französischer Maler. Er wird dem Kreis der „Fauves“ zugeordnet.

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- [en] Henri Manguin

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[es] Henri Manguin

Henri Charles Manguin (París, 23 de marzo de 1874-1949) fue un pintor francés, relacionado con los fauvistas.

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[fr] Henri Manguin

Henri Charles Manguin est un peintre et graveur français, né à Paris le 23 mars 1874 et mort à Gassin le 25 septembre 1949 (à 75 ans).

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[it] Henri Manguin

Henri Charles Manguin (Parigi, 1874 – Saint-Tropez, 25 settembre 1949) è stato un pittore francese.

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[ru] Манген, Анри

Анри Шарль Манген (фр. Henri Charles Manguin, 23 марта 1874, Париж — 25 сентября 1949, Сен-Тропе) — французский художник-постимпрессионист, представитель направления фовизм.

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