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Giampietrino, probably Giovanni Pietro Rizzoli (active 1495–1549),[1] was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by S. J. Freedberg as an "exploiter of Leonardo's repertory."[2]

Christ Carrying the Cross by Giovan Pietro Rizzoli known as Giampietrino, early 1530s
Christ Carrying the Cross by Giovan Pietro Rizzoli known as Giampietrino, early 1530s

Biography


The Virgin Nursing the Child with St. John the Baptist in Adoration (ca. 1500–20), Giampietrino, Museu de Arte de São Paulo
The Virgin Nursing the Child with St. John the Baptist in Adoration (ca. 1500–20), Giampietrino, Museu de Arte de São Paulo

Giampietrino was a productive painter of large altarpieces, Madonnas, holy women in half figure, and mythological women. For a long time, the true identity of the artist was unknown; he was only known as a so-called "Giampietrino" whose name appeared in lists of the members of Leonardo's studio. In 1929, Wilhelm Suida suggested that he could perhaps be Giovanni Battista Belmonte, since a Madonna signed with this name and dated 1509 had been associated stylistically with Giampietrino. Since then, this assumption is considered outdated, and Giampietrino is identified predominantly with Giovanni Pietro Rizzoli, who is known through documents.

Giampietrino has been regarded as a talented painter who contributed substantially to the distribution of the late style of Leonardo da Vinci. He copied many works by Leonardo, as well as leaving behind numerous capable original compositions of his own. Many of his works are preserved in multiple versions of the same subject.

Leda con i loro figli
Leda con i loro figli

Selected works


Vergine delle Rocce or Virgin of the Rocks Cheramy, a meticulous copy of Virgin of the Rocks in the Louvre painted by Leonardo da Vinci. Recently the subject of a new book (2017) and attributed to Leonardo and workshop by Professor Carlo Pedretti. Previously incorrectly attributed only to Giampetrino. Mentioned by Jean-Auguste-Dominique Ingres in 1845 and by Pierre Puvis de Chavannes, who were both convinced that it was a Leonardo original. According to the world's top Leonardo expert Professor Carlo Pedretti, this painting is wholly similar to the one in the Louvre (see http://www.italymagazine.com/italy/marche/virgin-rocks-smash-hit, Italy Magazine, Virgin of the rocks a smash hit, 9 November, 2005). Pedretti says the work - only recently recovered from another private collection - shows clear signs of the master's hand. Following detailed restoration of the work, Pedretti is convinced that it is an original Leonardo (Leonardo da Vinci : the Virgin of the rocks in the Cheramy version : its history & critical fortune, by Carlo Pedretti and Sara Taglialagamba, 2017).
Vergine delle Rocce or Virgin of the Rocks Cheramy, a meticulous copy of Virgin of the Rocks in the Louvre painted by Leonardo da Vinci. Recently the subject of a new book (2017) and attributed to Leonardo and workshop by Professor Carlo Pedretti. Previously incorrectly attributed only to Giampetrino. Mentioned by Jean-Auguste-Dominique Ingres in 1845 and by Pierre Puvis de Chavannes, who were both convinced that it was a Leonardo original. According to the world's top Leonardo expert Professor Carlo Pedretti, this painting "is wholly similar to the one in the Louvre" (see http://www.italymagazine.com/italy/marche/virgin-rocks-smash-hit, Italy Magazine, "Virgin of the rocks a smash hit," 9 November, 2005). Pedretti says the work - only recently recovered from another private collection - shows "clear signs" of the master's hand. Following detailed restoration of the work, Pedretti is convinced that it is an original Leonardo (Leonardo da Vinci : the "Virgin of the rocks" in the Cheramy version : its history & critical fortune, by Carlo Pedretti and Sara Taglialagamba, 2017).
St. John in Hermitage
St. John in Hermitage
Christ with the Symbol of the Trinity
Christ with the Symbol of the Trinity
St. John the Baptist
St. John the Baptist
Salome
Salome
Diana the Huntress
Diana the Huntress
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)

Notes


  1. Though Andrea Bayer says "rather securely identified" (Bayer, "North of the Apennines: Sixteenth-Century Italian Painting in Lombardy and Emilia-Romagna" The Metropolitan Museum of Art Bulletin, New Series, 60.4 [Spring, 2003], p. 19), Sydney J. Freedberg says "It is uncertain whether this painter is to be identified with Gian Pietro Rizzi or Giovanni di Pietro of Como." (Freedberg, Painting in Italy 1500-1600 3rd ed. 1993:383, note 25).
  2. Freedberg, 1993:383.

References


Wikimedia Commons has media related to Giampietrino.



На других языках

[de] Giampietrino

Giampietrino, eigentlich Giovanni Pietro Rizzoli, (dokumentiert von 1495 bis 1549), war ein italienischer Maler der lombardischen Schule und des Leonardo-Kreises.
- [en] Giampietrino

[es] Giampietrino

Giampietrino, cuyo probable nombre real era Giovanni Pietro Rizzoli (Milán, fl. 1508-1549), fue un pintor italiano del Renacimiento, seguidor del estilo de Leonardo da Vinci.

[fr] Giampietrino

Giovan Pietro Rizzoli (écrit Ricci ou Rizzi), dit Giampietrino, actif entre 1508 et 1549 à Milan, est un peintre italien de la Renaissance appartenant à l'école lombarde.

[it] Giampietrino

Giovan Pietro Rizzoli, talvolta Ricci o Rizzo, detto Giampietrino (1480/1485 – 1553), è stato un pittore italiano, attivo tra il 1508 ed il 1549 a Milano, allievo di Leonardo Da Vinci ed esponente della scuola rinascimentale lombarda.


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