art.wikisort.org - Painting

Search / Calendar

The Madonna del Prato (Madonna of the Meadow), formally Madonna with the Christ Child and Saint John the Baptist, is an oil on board painting by Raphael, created in 1506, now held in the Kunsthistorisches Museum in Vienna. It is also known as the Madonna del Belvedere after its long residence in the imperial collection in the Vienna Belvedere.

Madonna del prato
ArtistRaphael
Year1506
Typeoil on board
Dimensions113 cm × 88 cm (44 in × 35 in)
LocationKunsthistorisches Museum, Vienna

Subject


The painting was executed by twenty-three-year-old Raphael within months of his 1504–1505 arrival in Florence.[1][2] The scene represents the figures of the Virgin Mary, the infant Jesus, and an infant John the Baptist shown in a calm grassy meadow, in a pyramidal arrangement linked by their gazes. Mary is wearing a gold-bordered blue mantle set against a red dress, extending her right leg along a diagonal. The blue symbolizes the church and the red Christ's death, with the Madonna touching hands with Jesus the uniting of Mother Church with Christ's sacrifice.[citation needed] Her eyes fixed on John, her head turned to the left and slightly inclined, and her hands steady him as he leans forward unsteadily to touch the miniature cross held by John. The poppy refers to Christ's passion, death and resurrection. The painting depicts a peaceful, tender and idyllic moment, disturbed only by child Jesus's grabbing at the cross held by John the Baptist, which hints to the forthcoming Passion of Jesus.[3] This kind of serene and harmonious composition was held in very high regard by Renaissance patrons and earned Raphael a commission to paint a fresco for the Pope at the Vatican stanze in Rome.[2]


Technique


Raphael, preparatory drawing in red chalk, Metropolitan Museum of Art
Raphael, preparatory drawing in red chalk, Metropolitan Museum of Art

For this painting, as well as in others such as the Madonna of the Goldfinch, Raphael followed the techniques of Leonardo da Vinci (who was also in Florence at the time) in blocking its subjects in pyramidal form; this can be observed in such works as Leonardo's Virgin of the Rocks.[4] A red-chalk composition study, one of many preparatory drawings for the painting made by Raphael, is in the Metropolitan Museum of Art.[lower-alpha 1]

In 1983, the Chief Conservator for Paintings at the Kunsthistorisches Museum in Vienna removed the retouchings and varnish that deformed the Madonna of the Meadow.[1] Restoration revealed that this painting's structure is similar to that of the Small Cowper Madonna, and consists of translucent oil glazes, opaque underpaint and gesso ground.[1] Furthermore, the observed damages were caused by the same factors, namely Raphael's painting technique in the robe and mantle.[1] In the Madonna of the Meadow, the blue robe is disfigured by a wide craquelure provoked by the uneven drying of the oil layers.[1] Additionally, the painting is characterized by a great depth of shadows and a subtle interplay of the cool and warm tones that model the flesh.[1] A bluish undertone, visible in the shadows and edges of the panel, underlies the creamy white and pink of the flesh.[1] Moreover, close examination of the work suggests that the sky was painted after the figures were executed, since the blue brush strokes appear to follow the contours of the figures and are perceptible not only on the surface but also in x-radiographs.[1] When examined using infra-red techniques, the Madonna of the Meadow also betrays an underdrawing, completed when the design was transferred onto the panel; the marks left by this transfer are clear,[1] and the lines that connect them are precise, illuminating the artist's process.


See also



References


Footnotes

  1. On its verso is an anatomically correct male, possibly a study for one of the thieves next to Jesus in a descent from the cross.[5]

Citations

  1. Brown, David Alan (1983). "Raphael's "Small Cowper Madonna" and "Madonna of the Meadow": Their Technique and Leonardo Sources". Artibus et Historiae. 4 (8): 9–26. doi:10.2307/1483213. JSTOR 1483213.
  2. "Raphael's Madonna in the Meadow – ItalianRenaissance.org". www.italianrenaissance.org. Retrieved 2019-10-19.
  3. "Madonna del Prato by Raphael". www.raphael-sanzio.com. Retrieved 2019-10-19.
  4. De la Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane (1991). Gardner's Art Through the Ages (9th ed.). Thomson/Wadsworth. p. 645. ISBN 0-15-503769-2.
  5. Bean, Jacob; Stampfle, Felice (1965). Drawings from New York Collections I: The Italian Renaissance. Greenwich, CT: Metropolitan Museum of Art. pp. 40–41.



На других языках


[de] Madonna im Grünen

Die Madonna im Grünen (Madonna del Prato) ist ein Marienbildnis von Raffael aus dem 16. Jahrhundert. Es befindet sich im Kunsthistorischen Museum Wien. Seine Entstehungszeit ist zwischen 1505 und 1506. Das großformatige Gemälde, 113 × 88,5 cm ist in Öl auf Pappelholz gemalt. Es ist auch bekannt als Madonna vom Belvedere.[1] Raffael hat zwei weitere Gemälde mit ähnlichem Motiv gemalt: die Madonna mit dem Stieglitz (1505–1506, in Florenz ausgestellt) und Die schöne Gärtnerin (1507–1508, im Louvre ausgestellt). Die Madonna im Grünen ist das früheste Gemälde der drei Marienbilder aus der Florentiner Zeit.[2]
- [en] Madonna del Prato (Raphael)

[es] Virgen del prado

Esta Virgen con el Niño y San Juan, conocida como la Virgen del prado (en italiano Madonna del prato) es una pintura del artista renacentista italiano Rafael Sanzio, que data de 1505-1506. Está realizada al temple y al óleo sobre madera con unas dimensiones de 113 centímetros de alto y 88 cm. de ancho. Se conserva en el Museo Kunsthistorisches de Viena, Austria.

[fr] La Madone à la prairie

La Madone à la prairie (en italien : Madonna del Prato ou encore Madonna del Belvedere) est une peinture religieuse de Raphaël. Le tableau est actuellement exposé à la Kunsthistorisches Museum de Vienne.

[it] Madonna del Belvedere

La Madonna del Belvedere (o Madonna del Prato) è un dipinto olio su tavola (113x88 cm) di Raffaello Sanzio, datato 1506 e conservato nel Kunsthistorisches Museum di Vienna. La data M.D.VI. si trova sull'orlo dell'abito della Vergine.

[ru] Мадонна в зелени

«Мадонна в зелени», «Мадонна на лугу» (итал. Madonna nel verde — Мадонна в зелени, итал. Madonna del Prato — Мадонна на лугу) — картина выдающегося художника итальянского Возрождения Рафаэля Санти. Относится к флорентийскому периоду творчества Рафаэля (1507—1508), является самой ранней из трёх картин этого периода и имеет много общего с двумя другими: «Прекрасная садовница» и «Мадонна со щеглом». Картина написана в 1506 году, хранится в Музее истории искусств в Вене.



Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии