art.wikisort.org - Painting

The Conjurer is a painting by Early Netherlandish painter Hieronymus Bosch or his workshop,[1] executed around 1502.[2]

The Conjurer
Artist	Hieronymus Bosch and workshop
Year	c. 1502
Type	Oil on wood
Dimensions	53 cm × 65 cm (21 in × 26 in)
Location	Musée Municipal, St.-Germain-en-Laye

There are five versions of this painting and one engraving, but most experts believe the most reliable copy is part of the collection of the Musée Municipal in Saint-Germain-en-Laye, which is kept locked in a safe[3][4] and loaned out on a limited basis for special exhibitions in France and abroad. On 1 December 1978 the painting was stolen from the museum and returned on 2 February 1979.[5]

The painting comes from the bequest of Louis Alexandre Ducastel, a notary in Saint-Germain-en-Laye from 1813, who was also city council member and mayor in August 1835 and (provisionally) in 1839. The collection seems especially to have been formed by his father John Alexander Ducastel, a painter and collector.[5]

Description

Bosch depicts how people are fooled by lack of alertness and insight, creating a "spellbinding tension" that reappears in his later paintings.[1] The conjurer on the right of the image captures his apt and diverse audience with a game of cups and balls. The central character and true focus of the image is the man of rank in the forefront who leans in and is fixed on the pearl in the conjurer's hand while unaware of being relieved of his money purse. Bosch depicts the conjurer as a common criminal, luring in the prey.[6][7]

Beasts are used in the painting to symbolize human traits that allow for deception and victimization. The little owl from the basket at the conjurer's waist signifies his intelligence.[6] Frogs jumping out of the mouth of the central character represent the extent to which the victim let go of reason and gave in to bestial impulses.[8]

The child engrossed in our victim and the man stealing the money purse seems to exemplify the Flemish proverb: "He who lets himself be fooled by conjuring tricks loses his money and becomes the laughing stock of children." Another Flemish proverb, published and widely distributed ca 1480 in Bosch's hometown of 's-Hertogenbosch about the time of this painting, is: "No one is so much a fool as a willful fool." Bosch had used other proverbs as the basis of his painting, such as "The world is a haystack, and each man plucks from it what he can" for his painting, the Hay Wagon.[4]

Elina Gertsman's article about this painting explores this painting from the perspectives of Flemish culture, religious figures and the later body of Bosch's work.[4] A much simpler view by Adrian Maben, filmmaker of Bosch's life and work, is:

The Conjurer, an extraordinary tale of a conjurer trying to persuade the spectator that he's pulling toads or frogs out of his mouth. Meanwhile there's someone standing behind this spectator, who's stealing his wallet. It's a wonderful little painting, we unfortunately don't have the original, but it's a very good copy. It's a secular painting and has got away from the moralising and religious pose which one normally associates with Bosch. This genre painting became very popular in the Netherlands and the north in general, because it was opposed to the mythological painting of Italy. Here you had scenes from everyday life, it was getting away from the porcelain-like saints, down into the street. I think it was very modern.[9]

The conjurer reappears in Bosch's Triptych of the Temptation of St. Anthony.[6]

See also

• List of paintings by Hieronymus Bosch
• Misdirection (magic)

References

На других языках

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[de] Der Gaukler (Bosch)

Der Gaukler (auch Der Zauberkünstler[1]) ist ein Gemälde des niederländischen Malers Hieronymus Bosch oder seiner Werkstatt,[2] entstanden um 1502.[3] Es zeigt eine Situation, wie sie für die Zeit Boschs alltäglich war: Zauberer, Falschspieler, Possenreißer oder Quacksalber versuchen mit Tricks und Betrügereien, gutgläubigen Menschen das Geld aus der Tasche zu ziehen. Das 53 mal 65 cm große Bild befindet sich im Musée municipal von Saint-Germain-en-Laye (Frankreich).

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- [en] The Conjurer (painting)

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[es] El Prestidigitador

El Prestidigitador, también conocido como El prestidigitador y el ratero, es un cuadro atribuido al pintor flamenco El Bosco o su taller,[1] ejecutado en óleo sobre tabla. Mide 53 centímetros de alto por 65 cm de ancho.

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[fr] L'Escamoteur

L'Escamoteur, parfois désigné sous Le Jongleur, ou Le Bouffon ou encore Le Prestidigitateur est une huile sur bois attribuée au peintre néerlandais Jérôme Bosch. Réalisé entre 1475 et 1505, il est conservé dans un coffre-fort au Musée municipal de Saint-Germain-en-Laye.

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[it] Prestigiatore (Bosch)

Il Prestigiatore è un dipinto a olio su tavola (53x65 cm) attribuito a Hieronymus Bosch e/o alla bottega, databile al 1502 circa e conservato nel Musée Municipal di Saint-Germain-en-Laye.

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[ru] Фокусник (картина)

«Фокусник» (нидерл. De goochelaar) — картина нидерландского художника Иеронима Босха или его учеников[1]. Относительно времени написания нет единого мнения и потому датой называют период с 1475 по 1502 год. Работа относится к самым ранним в творчестве художника. Находится в коллекции Муниципального музея в городе Сен-Жермен-ан-Ле[2].

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