The Betrayal of Christ (van Dyck, Minneapolis) - Painting

art.wikisort.org - Painting

The Betrayal of Christ is a 1620 painting by Anthony van Dyck, now in the Minneapolis Institute of Arts.[1] He also produced two other versions of the same subject at around the same time, now in Bristol and Madrid.[2]

References

v t e Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with Saints (1617–1619) Saint Martin and the Beggar (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Crowning with Thorns (1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620) Samson and Delilah 1620 1630 Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–1630) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–1630 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Portrait of Cardinal Guido Bentivoglio (c. 1623) The Lomellini Family (c. 1625–1627) Charles I with M. de St Antoine (1633) Charles I at the Hunt (c. 1635) Charles I in Three Positions (1635 or 1636) Equestrian Portrait of Charles I (1637–1638) Triple Portrait of Henrietta Maria (1638) Portrait of Queen Henrietta Maria, as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–1635) Olivia Boteler Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	Vienna (1613–1614) New York (1620–1621) Self-Portrait with a Sunflower (1632–1633) Self-portrait with Sir Endymion Porter (1635) London (1640)
Related	Van Dyke beard

This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it.

На других языках

- [en] The Betrayal of Christ (van Dyck, Minneapolis)

[it] Cattura di Cristo (van Dyck Minneapolis)

La Cattura di Cristo è un dipinto a olio su tela di Antoon van Dyck custodito nel Minneapolis Institute of Arts.

Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии