Triple Portrait of Henrietta Maria - Painting

art.wikisort.org - Painting

The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection,[1] whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art.[2]

Reconstruction of the portrait, showing the profile from Memphis on the left.

Bibliography

Gian Pietro Bellori, Vite de' pittori, scultori e architecti moderni, Torino, Einaudi, 1976.
Didier Bodart, Van Dyck, Prato, Giunti, 1997.
Justus Müller Hofstede, Van Dyck, Milano, Rizzoli/Skira, 2004.

External links

Wikimedia Commons has media related to Triple Portrait of Queen Henrietta Maria.

v t e Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with Saints (1617–1619) Saint Martin and the Beggar (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Crowning with Thorns (1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620) Samson and Delilah 1620 1630 Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–1630) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–1630 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Portrait of Cardinal Guido Bentivoglio (c. 1623) The Lomellini Family (c. 1625–1627) Charles I with M. de St Antoine (1633) Charles I at the Hunt (c. 1635) Charles I in Three Positions (1635 or 1636) Equestrian Portrait of Charles I (1637–1638) Triple Portrait of Henrietta Maria (1638) Portrait of Queen Henrietta Maria, as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–1635) Olivia Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	Vienna (1613–1614) New York (1620–1621) Self-Portrait with a Sunflower (1632–1633) Self-portrait with Sir Endymion Porter (1635) London (1640)
Related	Van Dyke beard

На других языках

- [en] Triple Portrait of Henrietta Maria

[it] Triplo ritratto di Enrichetta Maria

Van Dyck ritrasse nel 1635 Carlo I nel ritratto; il re aveva infatti chiesto a Bernini, che non si sposatava mai da Roma, di realizzare una statua raffigurante il suo busto. Per la sua realizzazione, Carlo I inviò a Roma la tela di van Dyck e Bernini poté realizzare il busto (perduto in seguito al grande incendio di Londra). Quando l'opera arrivò a Londra, la regina ordinò che il maestro italiano realizzasse la medesima opera, raffigurante però il suo busto. Così van Dyck fu incaricato di realizzare le tre tele, che dovevano poi essere inviate in Italia.

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