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The Burial of the Sardine (Spanish: El entierro de la sardina) is an oil-on-panel painting by Spanish artist Francisco Goya, usually dated to the 1810s. The title is posthumous, referring to the culminating event of a three-day carnival in Madrid ending on Ash Wednesday. Masked and disguised revellers are seen dancing their way to the banks of the Manzanares, where a ceremonial sardine will be buried. Goya does not illustrate the fish in the painting, nor the large doll made of straw, called a pelele, from which it hung; the centrepiece is the darkly grinning "King of the Carnival".

This article may be expanded with text translated from the corresponding articles in German and Spanish. (December 2021) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 10,019 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Das Begräbnis der Sardine]]; see its history for attribution. You should also add the template {{Translated|de|Das Begräbnis der Sardine}} to the talk page. For more guidance, see Wikipedia:Translation.

The Burial of the Sardine
Spanish: El entierro de la sardina
Artist	Francisco Goya
Year	c. 1812–1819
Type	Oil on wood
Dimensions	82.5 cm × 62 cm (32.5 in × 24 in)
Location	Real Academia de Bellas Artes de San Fernando, Madrid

The painting has been dated between 1793 and 1819, but most accounts place it toward the end of this range on account of the painting's style and its place within the shifting themes of Goya's art as he aged. The Burial appears to fit within a progression beginning with the artist's bright, youthful works—in which he painted commissions of popular entertainments and colourful cartoon tapestries—and his much later, psychologically darker Black Paintings. The painting is certainly a tribute to the common people, depicting an exuberant crowd carousing on the first day of Lent while other Spanish Catholics worship at church. Yet the celebration takes on a sinister aspect due to the many masked and blank faces (see the detail in "Gallery") surrounding the gaily dancing women in white; the grey, distorted trees and encroaching dark colours; and the eye-catching black banner that parades an unsettling mascot. Such festivals as the "Burial of the Sardine" originated with themes of mortality: masks were worn to ward off the spirits of criminals and those who had died violently. The word "mortus" ("death") is barely visible on the banner though in a preparatory ink sketch by Goya (in the gallery below) it features prominently over an indistinct shape which may be a representation of the sardine itself. The painting forms a loose thematic set with other paintings of religious ceremony that Goya produced around the same time, among which are A Procession of Flagellants (Procesión de disciplinantes) and Inquisition Scene (Auto de fe de la Inquisición).

Goya scholar Fred Licht writes:

[The Burial of the Sardine] is also one of the most astonishing virtuoso performances to come down to us from Goya's brush. Rarely did Goya again reach such decisiveness of touch. Every brushstroke is a calligraphic marvel at the same time that it describes with consummate precision the expression of faces and the emotional charge of each stance or gesture. We have arrived here at the perfect balancing point between the early tapestry cartoons and the later Black Paintings. All the riotous gaiety of the former appeals to the eye from the surface of the painting. But in the darkening of the colors, in the masklike ambiguity of the faces... and especially in the overwrought gestures and expressions, one begins to feel the obscurely disturbing undertones of mass hysteria underlying the fiesta.[1]

Gallery

• 
  Detail
• 
  Sketch by Goya in sepia

See also

• List of works by Francisco Goya

Notes

References

• Connell, Evan S. Francisco Goya: A Life. New York: Counterpoint, 2004. ISBN 1-58243-307-0
• Hagen, Rose-Marie & Hagen, Rainer. Francisco Goya, 1746–1828. Taschen, 2003. ISBN 3-8228-1823-2

External links

• Media related to El entierro de la sardina (Goya) at Wikimedia Commons

На других языках

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[de] Das Begräbnis der Sardine

Das Begräbnis der Sardine (El entierro de la sardina) ist der Titel eines Gemäldes von Francisco de Goya. Es zeigt das gleichnamige Madrider Karnevalsfest am Aschermittwoch als grotesken Totentanz. Das Kabinettstück befindet sich im Besitz der Real Academia de Bellas Artes de San Fernando in Madrid.

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- [en] The Burial of the Sardine

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[es] El entierro de la sardina

El entierro de la sardina es un cuadro de pequeño formato que pintó Francisco de Goya entre 1814 y 1816 y guarda relación con una serie de cuadros de gabinete de costumbres españolas, si bien estas están muy alejadas de los temas y la estética rococó y neoclásica de los cartones para tapices. El conjunto incluiría Corrida de toros en un pueblo, Procesión de disciplinantes, Auto de fe de la Inquisición y Casa de locos, todos ellos fechados entre 1815 y 1819. Todos ellos son óleos sobre tabla de parecidas dimensiones (de 45 a 46 cm x 62 a 73, excepto El entierro de la sardina, 82 x 60[1]) y se conservan en el museo de la Real Academia de Bellas Artes de San Fernando.

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[fr] L'Enterrement de la sardine

L'Enterrement de la sardine (en espagnol : El Entierro de la sardina) est un tableau de petit format réalisé par Francisco de Goya entre 1814 et 1816[1]. Il est à mettre en relation avec une série de tableaux de cabinet de mœurs espagnoles, bien que ceux-ci soient éloignés des esthétiques rococo et néoclassiques des cartons pour tapisserie.

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[it] La sepoltura della sardina

La sepoltura della sardina è un dipinto a olio su tavola (82,5×52 cm) di Francisco Goya, databile al 1812-1814 circa e conservato nella Real Academia de Bellas Artes de San Fernando di Madrid.

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[ru] Похороны сардинки

«Похороны сардинки» (исп. El entierro de la sardina) — картина испанского художника Франсиско Гойи. Точную датировку написания картины установить не удаётся.

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